| GERMAN I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0,35 |
| GERMAN II |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0,12 |
| GERMAN III |
0 |
5 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
5 |
5 |
5 |
5 |
5 |
5 |
0 |
5 |
0 |
45 |
5,28 |
| GERMAN IV |
0 |
5 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
5 |
5 |
5 |
5 |
5 |
5 |
0 |
5 |
0 |
45 |
5,28 |
| ARABIC I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ARABIC II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ARABIC III |
5 |
3 |
5 |
2 |
3 |
3 |
5 |
3 |
2 |
3 |
3 |
2 |
4 |
2 |
5 |
1 |
3 |
4 |
58 |
6,81 |
| ARABIC IV |
5 |
4 |
5 |
2 |
3 |
4 |
5 |
4 |
3 |
4 |
4 |
3 |
4 |
4 |
5 |
1 |
4 |
5 |
69 |
8,1 |
| PREVENTION OF ADDICTIONS |
1 |
2 |
3 |
3 |
5 |
4 |
1 |
4 |
1 |
5 |
5 |
3 |
5 |
3 |
4 |
3 |
4 |
3 |
59 |
6,92 |
| INTRODUCTION TO EDUCATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| TEACHING PRINCIPLES AND METHODS |
3 |
4 |
4 |
5 |
4 |
5 |
4 |
4 |
5 |
4 |
5 |
4 |
4 |
5 |
4 |
5 |
4 |
4 |
77 |
9,04 |
| CLASSROOM MANAGEMENT |
1 |
2 |
2 |
3 |
3 |
3 |
4 |
4 |
4 |
4 |
5 |
5 |
4 |
4 |
4 |
5 |
5 |
4 |
66 |
7,75 |
| SPECIAL TEACHING METHODS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| GUIDANCE AND SPECIAL EDUCATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| MEASUREMENT AND EVALUATION IN EDUCATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| EDUCATION PSYCHOLOGY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| INSTRUCTIONAL TECHNOLOGIES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| TEACHING PRACTICE |
2 |
3 |
4 |
4 |
3 |
3 |
4 |
4 |
5 |
4 |
4 |
5 |
3 |
4 |
4 |
4 |
4 |
5 |
69 |
8,1 |
| ENVIRONMENTAL ECONOMY AND SUSTAINABILITY |
1 |
2 |
3 |
4 |
5 |
4 |
1 |
4 |
1 |
5 |
5 |
5 |
4 |
4 |
4 |
5 |
4 |
3 |
64 |
7,51 |
| DIGITAL MONEY AND PAYMENT SYSTEMS |
1 |
1 |
2 |
4 |
5 |
4 |
1 |
4 |
1 |
5 |
5 |
4 |
4 |
4 |
3 |
4 |
4 |
3 |
59 |
6,92 |
| INTRODUCTION TO DATA ANALYSIS IN PYTHON |
1 |
1 |
2 |
4 |
5 |
5 |
3 |
5 |
1 |
5 |
4 |
3 |
5 |
4 |
2 |
2 |
5 |
4 |
61 |
7,16 |
| SOCIAL ECONOMY |
1 |
2 |
4 |
3 |
5 |
4 |
1 |
4 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
3 |
4 |
1 |
46 |
5,4 |
| FRENCH I |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
5 |
5 |
1 |
17 |
2 |
| FRENCH II |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0,23 |
| FRENCH III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FRENCH IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ENTREPRENEURSHIP |
1 |
1 |
3 |
3 |
4 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
5 |
2 |
1 |
2 |
2 |
2 |
37 |
4,34 |
| CULTURE AND CREATIVE INDUSTRIES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DIGITAL MARKETING |
1 |
1 |
1 |
4 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
25 |
2,93 |
| PUBLICITY IN TOURISM |
1 |
3 |
5 |
3 |
4 |
3 |
1 |
3 |
3 |
4 |
5 |
4 |
3 |
3 |
4 |
4 |
5 |
3 |
61 |
7,16 |
| HEALTH COMMUNICATION |
1 |
1 |
1 |
3 |
5 |
2 |
2 |
3 |
1 |
5 |
5 |
1 |
4 |
1 |
1 |
3 |
4 |
2 |
45 |
5,28 |
| ADVERTISEMENT WRITING |
1 |
2 |
3 |
3 |
4 |
4 |
3 |
3 |
2 |
3 |
5 |
2 |
5 |
3 |
1 |
3 |
4 |
3 |
54 |
6,34 |
| REPRESENTATION, SUPERVISION AND MANAGEMENT |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
20 |
2,35 |
| BASIC HEALTH INFORMATION AND FIRST AID |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
21 |
2,46 |
| AIRCRAFT ACCIDENTS AND CASE INVESTIGATIONS |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
18 |
2,11 |
| CURRENT ISSUES IN AVIATION |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
18 |
2,11 |
| OCCUPATIONAL HEALTH AND SAFETY |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
3 |
1 |
2 |
2 |
2 |
1 |
29 |
3,4 |
| CAREER DEVELOPMENT |
1 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
27 |
3,17 |
| FUNDAMENTALS OF BUSINESS |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
26 |
3,05 |
| FUNDAMENTALS OF MANAGEMENT |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
5 |
1 |
1 |
1 |
2 |
1 |
28 |
3,29 |
| FUNDAMENTALS OF MARKETING |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
23 |
2,7 |
| ITALIAN I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
3 |
1 |
4 |
0 |
15 |
1,76 |
| ITALIAN II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
3 |
1 |
4 |
0 |
15 |
1,76 |
| ITALIAN III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
1 |
0 |
4 |
1 |
4 |
0 |
17 |
2 |
| ITALIAN IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
4 |
1 |
5 |
0 |
17 |
2 |
| BASIC KOREAN (CONVERSATION) |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
27 |
3,17 |
| PSYCHOLOGY OF LEADERSHIP |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
26 |
3,05 |
| POLITICAL PSYCHOLOGY |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
25 |
2,93 |
| PSYCHOLOGY OF FILM |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
20 |
2,35 |
| GENDER, PREJUDICE AND DISCRIMINATION |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
29 |
3,4 |
| PSYCHOLOGY OF COMMUNICATION |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
18 |
2,11 |
| CORPORATE SOCIAL RESPONSIBILITY |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
23 |
2,7 |
| POLITICS AND COMMUNICATION IN THE DIGITAL AGE |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
24 |
2,82 |
| ADVERTISING AND ETHICS |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
24 |
2,82 |
| INTERNATIONAL ADVERTISING |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
26 |
3,05 |
| ADVERTISING AND POPULAR CULTURE |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
23 |
2,7 |
| TRANSFORMING ADVERTISING PARADIGMS |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
20 |
2,35 |
| ADVERTISING PHILOSOPHY |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
3 |
4 |
1 |
1 |
1 |
1 |
1 |
4 |
1 |
28 |
3,29 |
| MEDIA ECONOMICS |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
18 |
2,11 |
| CITY AND CINEMA |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
2 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
29 |
3,4 |
| ACADEMIC TEXT WRITING |
1 |
2 |
3 |
3 |
5 |
5 |
1 |
5 |
2 |
5 |
4 |
2 |
5 |
1 |
2 |
1 |
5 |
1 |
53 |
6,22 |
| PROGRAMME PRODUCTION ON DIGITAL PLATFORMS AND TELEVISION |
1 |
1 |
4 |
2 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
5 |
1 |
1 |
1 |
3 |
1 |
32 |
3,76 |
| SHORT FILM PRODUCTION AND DIRECTING |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
4 |
1 |
27 |
3,17 |
| FILM ANALYSIS AND CRITICISM |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
4 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
28 |
3,29 |
| CONTENT PRODUCTION WITH ARTIFICIAL INTELLIGENCE |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
4 |
1 |
24 |
2,82 |
| VISUAL CULTURE |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
22 |
2,58 |
| WORLD CINEMAS |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
3 |
3 |
1 |
2 |
1 |
27 |
3,17 |
| CINEMA AND IDEOLOGY |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
19 |
2,23 |
| CULTURAL STUDIES AND CINEMA |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
22 |
2,58 |
| SCIENCE COMMUNICATION |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
25 |
2,93 |
| FILM AND VIDEO EDITING |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
22 |
2,58 |
| SCRIPTWRITING |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
3 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
30 |
3,52 |
| RUSSIAN I |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
19 |
2,23 |
| RUSSIAN II |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
25 |
2,93 |
| RUSSIAN III |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
22 |
2,58 |
| RUSSIAN IV |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
15 |
1,76 |
| HUMAN RIGHTS |
1 |
2 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
29 |
3,4 |
| INTERNATIONAL POLITICAL ECONOMY |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
26 |
3,05 |
| POLITICAL AND INTELLECTUAL MOVEMENTS IN TURKEY |
1 |
2 |
3 |
2 |
2 |
2 |
2 |
1 |
2 |
2 |
3 |
3 |
2 |
2 |
2 |
1 |
2 |
1 |
35 |
4,11 |
| CHINESE POLITICS AND FOREIGN POLICY |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
21 |
2,46 |
| TÜRK DIŞ POLİTİKASINDA GÜNCEL MESELELER |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SUSTAINABLE ENVIRONMENTAL MANAGEMENT |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
5 |
4 |
1 |
31 |
3,64 |
| IDENTITY AND POLITICS |
1 |
1 |
2 |
3 |
4 |
1 |
1 |
1 |
3 |
3 |
2 |
1 |
3 |
1 |
3 |
2 |
4 |
2 |
38 |
4,46 |
| GENDER AND POLITICS |
1 |
1 |
1 |
3 |
4 |
2 |
3 |
2 |
2 |
2 |
2 |
2 |
4 |
2 |
2 |
2 |
4 |
2 |
41 |
4,81 |
| STATE AND ADMINISTRATION |
1 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
4 |
5 |
1 |
1 |
1 |
3 |
1 |
3 |
2 |
34 |
3,99 |
| SOCIOLOGY OF LEISURE TIME |
1 |
1 |
4 |
5 |
5 |
5 |
1 |
3 |
4 |
5 |
5 |
3 |
1 |
1 |
1 |
1 |
3 |
1 |
50 |
5,87 |
| LOGIC |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
3 |
1 |
3 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
30 |
3,52 |
| SOCIOLOGY OF CONSUMPTION AND SAVINGS |
1 |
1 |
1 |
1 |
3 |
4 |
1 |
1 |
4 |
5 |
5 |
1 |
1 |
1 |
4 |
4 |
4 |
1 |
43 |
5,05 |
| HISTORY OF THOUGHT |
1 |
3 |
3 |
2 |
2 |
2 |
1 |
2 |
2 |
3 |
3 |
2 |
2 |
2 |
2 |
1 |
2 |
2 |
37 |
4,34 |
| PHILOSOPHY OF SCIENCE |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
3 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
3 |
1 |
32 |
3,76 |
| ENVIRONMENTAL SOCIOLOGY |
1 |
1 |
4 |
3 |
5 |
1 |
1 |
1 |
1 |
5 |
5 |
1 |
1 |
1 |
4 |
1 |
5 |
4 |
45 |
5,28 |
| POLITICAL PHILOSOPHY |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
5 |
1 |
25 |
2,93 |
| POVERTY AND SOCIAL POLICY |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
22 |
2,58 |
| SPANISH I |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
20 |
2,35 |
| SPANISH II |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
18 |
2,11 |
| SPANISH III |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
23 |
2,7 |
| SPANISH IV |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
24 |
2,82 |
| FUNDAMENTAL PRINCIPLES OF QUALITY MANAGEMENT |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
26 |
3,05 |
| TURKISH MYTHOLOGY |
0 |
3 |
5 |
0 |
5 |
1 |
0 |
1 |
2 |
5 |
3 |
1 |
4 |
1 |
5 |
1 |
4 |
5 |
46 |
5,4 |
| WORLD LITERATURE |
0 |
5 |
1 |
0 |
5 |
1 |
0 |
3 |
2 |
4 |
3 |
5 |
5 |
0 |
4 |
3 |
3 |
3 |
47 |
5,52 |
| LITERARY MOVEMENTS IN CONTEMPORARY LITERATURE |
0 |
4 |
1 |
0 |
5 |
3 |
0 |
2 |
3 |
3 |
1 |
4 |
5 |
5 |
4 |
3 |
3 |
4 |
50 |
5,87 |
| HISTORY OF TURKISH LANGUAGE |
3 |
2 |
1 |
0 |
5 |
5 |
2 |
5 |
0 |
1 |
1 |
3 |
5 |
0 |
5 |
3 |
3 |
5 |
49 |
5,75 |
| MINSTREL LITERATURE |
1 |
1 |
5 |
0 |
5 |
1 |
1 |
1 |
4 |
4 |
4 |
0 |
4 |
1 |
4 |
0 |
3 |
5 |
44 |
5,16 |
| ELECTRONIC MEDIA AND FOLKLORE |
0 |
2 |
4 |
0 |
5 |
5 |
0 |
3 |
3 |
3 |
4 |
4 |
5 |
4 |
5 |
1 |
4 |
5 |
57 |
6,69 |
| CLASSICAL ANATOLIAN TURKISH I |
5 |
1 |
2 |
0 |
5 |
5 |
5 |
5 |
1 |
2 |
0 |
0 |
5 |
0 |
5 |
2 |
3 |
5 |
51 |
5,99 |
| CLASSICAL ANATOLIAN TURKISH II |
5 |
1 |
1 |
0 |
5 |
5 |
5 |
5 |
2 |
1 |
0 |
2 |
5 |
0 |
5 |
2 |
3 |
5 |
52 |
6,1 |
| GENERAL LINGUISTICS |
2 |
2 |
0 |
0 |
5 |
5 |
5 |
5 |
0 |
5 |
3 |
1 |
5 |
1 |
3 |
2 |
3 |
5 |
52 |
6,1 |
| CITY AND CULTURE IN CONTEMPORARY LITERATURE |
0 |
2 |
0 |
0 |
5 |
4 |
0 |
5 |
4 |
3 |
3 |
2 |
5 |
3 |
5 |
3 |
3 |
5 |
52 |
6,1 |
| TURKISH POETRY IN THE REPUBLICAN PERIOD |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| LITERATURE THEORIES |
0 |
5 |
2 |
2 |
4 |
3 |
1 |
5 |
5 |
5 |
5 |
5 |
1 |
5 |
2 |
1 |
5 |
5 |
61 |
7,16 |
| LEXICOLOGY OF TURKISH LANGUAGE |
2 |
0 |
3 |
2 |
5 |
4 |
5 |
5 |
0 |
3 |
1 |
0 |
4 |
1 |
5 |
4 |
4 |
4 |
52 |
6,1 |
| TÜRKİYE TÜRKÇESİ KÖKEN BİLİMİ |
3 |
0 |
5 |
2 |
5 |
5 |
5 |
5 |
0 |
5 |
5 |
0 |
5 |
0 |
5 |
5 |
5 |
5 |
65 |
7,63 |
| PROFESSIONAL ENGLISH FOR TURKISH LANGUAGE AND LITERATURE DEPARTMENT |
1 |
3 |
2 |
5 |
4 |
4 |
2 |
4 |
3 |
4 |
3 |
3 |
4 |
3 |
2 |
2 |
5 |
3 |
57 |
6,69 |
| TALE AND FOLK STORY |
0 |
0 |
5 |
0 |
5 |
0 |
0 |
4 |
4 |
5 |
3 |
1 |
4 |
2 |
4 |
1 |
4 |
5 |
47 |
5,52 |
| SUFI LITERATURE |
1 |
4 |
5 |
0 |
5 |
1 |
1 |
1 |
2 |
3 |
4 |
0 |
4 |
2 |
4 |
0 |
4 |
5 |
46 |
5,4 |
| TEXTUAL ANALYSIS IN NEW LITERATURE |
1 |
2 |
0 |
0 |
5 |
5 |
1 |
5 |
5 |
3 |
2 |
3 |
5 |
5 |
3 |
2 |
3 |
5 |
55 |
6,46 |
| CLASSICAL TURKISH LITERATURE IV |
4 |
1 |
1 |
0 |
5 |
5 |
5 |
5 |
1 |
5 |
1 |
0 |
5 |
0 |
4 |
3 |
3 |
5 |
53 |
6,22 |
| CHILDREN S LITERATURE |
0 |
4 |
4 |
1 |
5 |
3 |
0 |
5 |
5 |
5 |
5 |
4 |
5 |
4 |
3 |
5 |
5 |
5 |
68 |
7,98 |
| CONTEMPORARY TURKISH DIALECTS II |
4 |
3 |
1 |
0 |
5 |
5 |
5 |
5 |
0 |
2 |
0 |
5 |
5 |
0 |
5 |
2 |
3 |
5 |
55 |
6,46 |
| CONTEMPORARY TURKISH DIALECTS I |
4 |
4 |
1 |
0 |
5 |
4 |
5 |
5 |
0 |
3 |
0 |
5 |
5 |
0 |
5 |
2 |
3 |
5 |
56 |
6,57 |
| TURKISH NOVEL IN REPUBLICAN ERA |
0 |
1 |
1 |
1 |
5 |
4 |
1 |
5 |
4 |
4 |
1 |
5 |
5 |
5 |
3 |
2 |
3 |
4 |
54 |
6,34 |
| CLASSICAL TURKISH LITERATURE III |
3 |
2 |
3 |
0 |
5 |
1 |
1 |
2 |
1 |
3 |
4 |
0 |
4 |
1 |
5 |
0 |
3 |
5 |
43 |
5,05 |
| TURKISH GRAMMAR III |
0 |
1 |
0 |
0 |
5 |
4 |
5 |
4 |
0 |
2 |
0 |
0 |
5 |
0 |
0 |
2 |
3 |
5 |
36 |
4,23 |
| TURKISH GRAMMAR IV |
0 |
1 |
0 |
0 |
5 |
4 |
5 |
5 |
0 |
2 |
0 |
0 |
5 |
1 |
2 |
3 |
3 |
5 |
41 |
4,81 |
| POSTMODERNISM |
0 |
3 |
1 |
3 |
5 |
5 |
1 |
5 |
5 |
5 |
5 |
5 |
5 |
4 |
4 |
3 |
3 |
5 |
67 |
7,86 |
| COMPARATIVE LITERATURE |
0 |
5 |
4 |
3 |
5 |
5 |
1 |
5 |
5 |
5 |
5 |
5 |
5 |
4 |
5 |
3 |
4 |
5 |
74 |
8,69 |
| STORY IN TURKISH LITERATURE IN THE REPUBLICAN PERIOD |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| WOMEN IN TURKISH NOVEL |
3 |
2 |
5 |
1 |
5 |
4 |
1 |
3 |
5 |
5 |
5 |
1 |
4 |
4 |
5 |
4 |
5 |
5 |
67 |
7,86 |
| DİJİTAL BEŞERİ BİLİMLER VE EDEBİYAT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| YAPAY ZEKÂ, BÜYÜK DİL MODELLERİ VE EDEBİ METİN ANALİZİ |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DİJİTAL ÇAĞDA DÜNYA EDEBİYATI VE KÜLTÜREL DOLAŞIM |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CLASSICAL LITERATURE AND PSYCHOANALYSIS |
1 |
4 |
4 |
2 |
4 |
4 |
2 |
5 |
5 |
5 |
5 |
4 |
4 |
5 |
4 |
2 |
4 |
4 |
68 |
7,98 |
| CLASSICAL LITERATURE AND POLITICS |
2 |
5 |
5 |
2 |
5 |
4 |
3 |
5 |
4 |
5 |
5 |
4 |
4 |
5 |
5 |
2 |
4 |
5 |
74 |
8,69 |
| CITY AND CIVILIZATION |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
2 |
3 |
2 |
2 |
2 |
30 |
3,52 |
| WORLD GEOGRAPHY AND TOURISM DESTINATIONS |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
3 |
1 |
20 |
2,35 |
| SUSTAINABLE TOURISM |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
22 |
2,58 |
| TURKISH AND WORLD CUISINES |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
25 |
2,93 |
| ARTIFICIAL INTELLIGENCE AND ITS STRATEGIC USE IN BUSINESS |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
1 |
22 |
2,58 |
| FUNDAMENTALS OF NEUROMARKETING |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CURRENT ISSUES IN THE WORLD ECONOMY |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
20 |
2,35 |
| DESIGN THINKING |
1 |
1 |
1 |
1 |
5 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
5 |
1 |
1 |
1 |
5 |
1 |
30 |
3,52 |
| DIGITAL TRANSFORMATION |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
20 |
2,35 |
| INTERNATIONAL MONEY AND CAPITAL MARKETS |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
21 |
2,46 |
| INTERNATIONAL SALES MANAGEMENT |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
4 |
1 |
27 |
3,17 |
| PURCHASING MANAGEMENT |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
26 |
3,05 |
| GREEN LOGISTICS |
1 |
1 |
1 |
3 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
26 |
3,05 |
| GLOBAL SUPPLY CHAIN MANAGEMENT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FINANCIAL PLANNING IN LOGISTICS |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
29 |
3,4 |
| DIGITAL FINANCE |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
22 |
2,58 |
| CULTUREL DIFFERENCES IN TRADE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| INTERNATIONAL TRADE BLOCKS AND TREATIES |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
20 |
2,35 |
| UNDERSTANDING INTERNATIONAL TRADE WITH FILMS |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
22 |
2,58 |
| FUNDAMENTALS OF INFORMATION TECHNOLOGIES |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
21 |
2,46 |
| DIGITAL LITERACY |
1 |
1 |
1 |
3 |
3 |
4 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
32 |
3,76 |
| GAME THEORY |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
1 |
4 |
1 |
30 |
3,52 |
| TECHNOLOGY AND SOCIETY |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
3 |
1 |
1 |
1 |
3 |
1 |
28 |
3,29 |
| CRITICAL THINKING ON SOCIAL MEDIA |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
3 |
1 |
28 |
3,29 |
| SOCIAL GENDER AND MEDIA |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
3 |
1 |
24 |
2,82 |
| SOCIAL COMPUTING |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| VOLUNTEER WORK |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ALGORITHMS AND SOCIETY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DIGITAL INTERFACE DESIGN |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SOCIAL MEDIA MARKETING |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
26 |
3,05 |
| IDENTITY, MEDIA, CULTURE |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
3 |
1 |
1 |
1 |
4 |
1 |
29 |
3,4 |
| NEW MEDIA INNOVATION |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
4 |
2 |
16 |
1,88 |
| RHETORIC AND LEADERSHIP |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| TOTAL |
155 |
214 |
238 |
221 |
398 |
278 |
199 |
281 |
217 |
331 |
318 |
250 |
374 |
221 |
299 |
227 |
406 |
287 |
4914 |
576,76 |