| GERMAN I |
3 |
4 |
4 |
4 |
3 |
4 |
4 |
3 |
4 |
4 |
4 |
3 |
4 |
5 |
5 |
5 |
5 |
5 |
4 |
77 |
11,05 |
| GERMAN II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0,14 |
| GERMAN III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| GERMAN IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ARABIC I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ARABIC II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ARABIC III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ARABIC IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| PREVENTION OF ADDICTIONS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ENVIRONMENTAL ECONOMY AND SUSTAINABILITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DIGITAL MONEY AND PAYMENT SYSTEMS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| INTRODUCTION TO DATA ANALYSIS IN PYTHON |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SOCIAL ECONOMY |
3 |
3 |
3 |
3 |
2 |
2 |
2 |
4 |
3 |
3 |
3 |
3 |
2 |
2 |
3 |
3 |
3 |
4 |
4 |
55 |
7,89 |
| FRENCH I |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
5 |
5 |
1 |
0 |
0 |
1 |
0 |
17 |
2,44 |
| FRENCH II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FRENCH III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FRENCH IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ENTREPRENEURSHIP |
2 |
2 |
3 |
5 |
2 |
3 |
4 |
5 |
5 |
4 |
4 |
5 |
1 |
1 |
5 |
3 |
5 |
5 |
5 |
69 |
9,9 |
| DIGITAL MARKETING |
3 |
3 |
2 |
3 |
2 |
2 |
1 |
2 |
2 |
4 |
4 |
0 |
2 |
1 |
1 |
3 |
3 |
3 |
1 |
42 |
6,03 |
| PUBLICITY IN TOURISM |
4 |
4 |
3 |
2 |
2 |
2 |
3 |
2 |
2 |
3 |
2 |
3 |
3 |
2 |
3 |
4 |
3 |
4 |
3 |
54 |
7,75 |
| MEDIA LITERACY |
2 |
3 |
4 |
4 |
2 |
3 |
2 |
2 |
4 |
4 |
4 |
3 |
2 |
2 |
3 |
2 |
2 |
3 |
4 |
55 |
7,89 |
| HEALTH COMMUNICATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ADVERTISEMENT WRITING |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| REPRESENTATION, SUPERVISION AND MANAGEMENT |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
19 |
2,73 |
| BASIC HEALTH INFORMATION AND FIRST AID |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
6 |
0,86 |
| AIRCRAFT ACCIDENTS AND CASE INVESTIGATIONS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0,29 |
| CURRENT ISSUES IN AVIATION |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
19 |
2,73 |
| OCCUPATIONAL HEALTH AND SAFETY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CAREER DEVELOPMENT |
4 |
4 |
4 |
4 |
3 |
4 |
3 |
4 |
4 |
3 |
3 |
5 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
73 |
10,47 |
| FUNDAMENTALS OF BUSINESS |
3 |
2 |
2 |
2 |
3 |
4 |
3 |
3 |
3 |
4 |
3 |
2 |
3 |
3 |
4 |
3 |
2 |
3 |
3 |
55 |
7,89 |
| FUNDAMENTALS OF MANAGEMENT |
1 |
1 |
4 |
4 |
1 |
1 |
4 |
5 |
5 |
5 |
5 |
5 |
0 |
0 |
5 |
5 |
5 |
5 |
5 |
66 |
9,47 |
| FUNDAMENTALS OF MARKETING |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
21 |
3,01 |
| ITALIAN I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
9 |
1,29 |
| ITALIAN II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
9 |
1,29 |
| ITALIAN III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ITALIAN IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| BASIC KOREAN (CONVERSATION) |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
19 |
2,73 |
| PSYCHOLOGY OF LEADERSHIP |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
4 |
4 |
4 |
4 |
5 |
84 |
12,05 |
| POLITICAL PSYCHOLOGY |
4 |
4 |
3 |
3 |
3 |
3 |
3 |
4 |
3 |
3 |
3 |
3 |
3 |
3 |
4 |
3 |
3 |
3 |
4 |
62 |
8,9 |
| PSYCHOLOGY OF FILM |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
19 |
2,73 |
| GENDER, PREJUDICE AND DISCRIMINATION |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0,14 |
| PSYCHOLOGY OF COMMUNICATION |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
19 |
2,73 |
| COMMUNICATION APPLICATIONS |
4 |
4 |
4 |
5 |
5 |
5 |
4 |
4 |
4 |
5 |
5 |
5 |
4 |
4 |
4 |
5 |
5 |
5 |
4 |
85 |
12,2 |
| VISUAL PERCEPTION AND ADVERTISING |
4 |
4 |
4 |
5 |
5 |
5 |
5 |
3 |
5 |
5 |
5 |
4 |
0 |
0 |
4 |
4 |
4 |
4 |
2 |
72 |
10,33 |
| MARKETING PUBLIC RELATIONS |
4 |
4 |
3 |
3 |
4 |
4 |
3 |
3 |
4 |
4 |
3 |
3 |
4 |
4 |
3 |
3 |
4 |
4 |
3 |
67 |
9,61 |
| IMAGE AND PERCEPTION MANAGEMENT |
4 |
4 |
4 |
5 |
5 |
5 |
4 |
4 |
5 |
5 |
4 |
5 |
4 |
4 |
4 |
5 |
5 |
5 |
4 |
85 |
12,2 |
| CORPORATE SOCIAL RESPONSIBILITY |
4 |
5 |
4 |
4 |
3 |
4 |
4 |
4 |
5 |
4 |
4 |
5 |
1 |
1 |
5 |
5 |
4 |
5 |
5 |
76 |
10,9 |
| GENDER REPRESENTATION IN ADVERTISING |
5 |
5 |
4 |
4 |
3 |
3 |
4 |
4 |
5 |
5 |
4 |
4 |
3 |
3 |
4 |
4 |
5 |
5 |
4 |
78 |
11,19 |
| PHOTOSHOP APPLICATIONS |
5 |
4 |
5 |
5 |
4 |
4 |
5 |
5 |
5 |
4 |
4 |
4 |
5 |
5 |
5 |
5 |
4 |
4 |
4 |
86 |
12,34 |
| SEMIOTICS AND ADVERTISING |
5 |
4 |
5 |
5 |
4 |
5 |
3 |
3 |
4 |
4 |
5 |
3 |
0 |
0 |
3 |
3 |
3 |
4 |
4 |
67 |
9,61 |
| TRANSMEDIA STORYTELLING |
4 |
4 |
4 |
5 |
5 |
5 |
3 |
3 |
5 |
5 |
5 |
3 |
0 |
0 |
3 |
4 |
5 |
5 |
3 |
71 |
10,19 |
| POLITICS AND COMMUNICATION IN THE DIGITAL AGE |
3 |
4 |
3 |
4 |
4 |
4 |
3 |
2 |
5 |
4 |
4 |
3 |
2 |
0 |
4 |
3 |
4 |
3 |
3 |
62 |
8,9 |
| ADVERTISING AND ETHICS |
5 |
5 |
5 |
5 |
5 |
4 |
5 |
5 |
5 |
5 |
5 |
4 |
5 |
5 |
5 |
5 |
5 |
4 |
5 |
92 |
13,2 |
| ADVERTISING WORKSHOP |
4 |
4 |
4 |
5 |
5 |
4 |
4 |
4 |
5 |
5 |
4 |
4 |
4 |
5 |
5 |
4 |
4 |
4 |
5 |
83 |
11,91 |
| INTERNATIONAL ADVERTISING |
5 |
4 |
5 |
4 |
5 |
4 |
5 |
4 |
5 |
4 |
5 |
4 |
5 |
4 |
5 |
4 |
5 |
4 |
5 |
86 |
12,34 |
| HISTORY OF ADVERTISING |
4 |
3 |
4 |
4 |
3 |
5 |
3 |
3 |
4 |
5 |
5 |
3 |
0 |
0 |
3 |
3 |
3 |
4 |
4 |
63 |
9,04 |
| MESSAGE DESIGN IN ADVERTISING |
5 |
5 |
3 |
5 |
5 |
3 |
5 |
5 |
3 |
5 |
5 |
3 |
5 |
5 |
3 |
5 |
5 |
3 |
5 |
83 |
11,91 |
| STORYTELLING IN ADVERTISING |
4 |
4 |
5 |
5 |
4 |
4 |
5 |
5 |
4 |
4 |
5 |
5 |
4 |
4 |
5 |
5 |
4 |
4 |
5 |
85 |
12,2 |
| STRATEGIC ADVERTISING PLANNING |
4 |
4 |
5 |
5 |
3 |
3 |
4 |
4 |
5 |
5 |
3 |
3 |
4 |
4 |
5 |
5 |
3 |
3 |
4 |
76 |
10,9 |
| ADVERTISING AND POPULAR CULTURE |
4 |
4 |
4 |
4 |
2 |
5 |
3 |
3 |
5 |
5 |
5 |
3 |
0 |
0 |
4 |
3 |
3 |
5 |
5 |
67 |
9,61 |
| INTERACTIVE ADVERTISING DESIGN |
4 |
4 |
4 |
4 |
4 |
3 |
3 |
3 |
4 |
4 |
5 |
3 |
0 |
0 |
3 |
3 |
4 |
4 |
2 |
61 |
8,75 |
| TRANSFORMING ADVERTISING PARADIGMS |
5 |
5 |
5 |
5 |
5 |
0 |
5 |
5 |
5 |
5 |
5 |
5 |
1 |
1 |
3 |
5 |
5 |
5 |
3 |
78 |
11,19 |
| ADVERTISING PHILOSOPHY |
4 |
4 |
3 |
5 |
4 |
4 |
3 |
4 |
5 |
3 |
4 |
2 |
0 |
0 |
5 |
5 |
2 |
5 |
5 |
67 |
9,61 |
| MEDIA ECONOMICS |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
9 |
1,29 |
| CITY AND CINEMA |
4 |
4 |
5 |
5 |
3 |
5 |
5 |
4 |
5 |
5 |
5 |
5 |
2 |
4 |
5 |
5 |
5 |
5 |
5 |
86 |
12,34 |
| ACADEMIC TEXT WRITING |
4 |
4 |
4 |
5 |
1 |
5 |
5 |
5 |
5 |
5 |
5 |
4 |
4 |
3 |
4 |
5 |
5 |
5 |
5 |
83 |
11,91 |
| PROGRAMME PRODUCTION ON DIGITAL PLATFORMS AND TELEVISION |
5 |
2 |
5 |
5 |
2 |
4 |
4 |
4 |
5 |
5 |
5 |
5 |
3 |
3 |
5 |
5 |
5 |
5 |
5 |
82 |
11,76 |
| SHORT FILM PRODUCTION AND DIRECTING |
5 |
2 |
5 |
4 |
1 |
5 |
4 |
2 |
5 |
5 |
5 |
5 |
3 |
2 |
4 |
5 |
5 |
3 |
3 |
73 |
10,47 |
| FILM ANALYSIS AND CRITICISM |
1 |
4 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
4 |
38 |
5,45 |
| CONTENT PRODUCTION WITH ARTIFICIAL INTELLIGENCE |
4 |
4 |
4 |
4 |
5 |
5 |
5 |
2 |
5 |
5 |
5 |
5 |
3 |
2 |
4 |
4 |
5 |
4 |
2 |
77 |
11,05 |
| VISUAL CULTURE |
4 |
4 |
2 |
2 |
5 |
1 |
2 |
1 |
2 |
5 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
39 |
5,6 |
| WORLD CINEMAS |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
29 |
4,16 |
| CINEMA AND IDEOLOGY |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
5 |
0,72 |
| MEDIA AND COMMUNICATION ENGLISH |
2 |
2 |
3 |
2 |
3 |
3 |
3 |
2 |
2 |
4 |
3 |
4 |
2 |
4 |
2 |
3 |
3 |
2 |
2 |
51 |
7,32 |
| CULTURAL STUDIES AND CINEMA |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
2 |
22 |
3,16 |
| SCIENCE COMMUNICATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FILM AND VIDEO EDITING |
5 |
5 |
5 |
5 |
5 |
5 |
3 |
3 |
5 |
5 |
4 |
4 |
5 |
1 |
4 |
2 |
4 |
2 |
2 |
74 |
10,62 |
| SCRIPTWRITING |
2 |
4 |
4 |
3 |
4 |
3 |
3 |
3 |
2 |
4 |
4 |
2 |
1 |
1 |
3 |
1 |
3 |
1 |
2 |
50 |
7,17 |
| RUSSIAN I |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
0,57 |
| RUSSIAN II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| RUSSIAN III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| RUSSIAN IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0,29 |
| HUMAN RIGHTS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| INTERNATIONAL POLITICAL ECONOMY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
6 |
0,86 |
| POLITICAL AND INTELLECTUAL MOVEMENTS IN TURKEY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
0,72 |
| CHINESE POLITICS AND FOREIGN POLICY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
8 |
1,15 |
| SUSTAINABLE ENVIRONMENTAL MANAGEMENT |
2 |
2 |
3 |
4 |
1 |
3 |
3 |
4 |
4 |
3 |
3 |
3 |
2 |
3 |
4 |
4 |
4 |
4 |
4 |
60 |
8,61 |
| IDENTITY AND POLITICS |
4 |
1 |
4 |
4 |
1 |
4 |
1 |
4 |
4 |
3 |
4 |
4 |
2 |
3 |
4 |
3 |
4 |
4 |
3 |
61 |
8,75 |
| GENDER AND POLITICS |
3 |
1 |
4 |
4 |
0 |
3 |
3 |
3 |
3 |
3 |
4 |
3 |
0 |
3 |
0 |
3 |
3 |
3 |
5 |
51 |
7,32 |
| STATE AND ADMINISTRATION |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
4 |
2 |
28 |
4,02 |
| SOCIOLOGY OF LEISURE TIME |
3 |
4 |
2 |
5 |
0 |
4 |
0 |
1 |
5 |
5 |
4 |
0 |
4 |
0 |
4 |
2 |
3 |
5 |
5 |
56 |
8,03 |
| LOGIC |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SOCIOLOGY OF CONSUMPTION AND SAVINGS |
4 |
5 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
5 |
2 |
0 |
0 |
0 |
3 |
0 |
3 |
4 |
5 |
37 |
5,31 |
| HISTORY OF THOUGHT |
3 |
4 |
3 |
5 |
4 |
4 |
4 |
4 |
5 |
4 |
4 |
4 |
1 |
0 |
4 |
2 |
4 |
5 |
4 |
68 |
9,76 |
| PHILOSOPHY OF SCIENCE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ENVIRONMENTAL SOCIOLOGY |
4 |
5 |
0 |
4 |
0 |
0 |
0 |
0 |
5 |
0 |
4 |
0 |
0 |
0 |
4 |
0 |
4 |
0 |
5 |
35 |
5,02 |
| POLITICAL PHILOSOPHY |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
5 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
2 |
18 |
2,58 |
| POVERTY AND SOCIAL POLICY |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
4 |
23 |
3,3 |
| SPANISH I |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
25 |
3,59 |
| SPANISH II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SPANISH III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SPANISH IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FUNDAMENTAL PRINCIPLES OF QUALITY MANAGEMENT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| TURKISH MYTHOLOGY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| WORLD LITERATURE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CLASSICAL LITERATURE AND PSYCHOANALYSIS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CLASSICAL LITERATURE AND POLITICS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CITY AND CIVILIZATION |
2 |
2 |
2 |
2 |
2 |
3 |
3 |
3 |
3 |
3 |
4 |
4 |
3 |
1 |
3 |
3 |
3 |
3 |
2 |
51 |
7,32 |
| WORLD GEOGRAPHY AND TOURISM DESTINATIONS |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
3 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
27 |
3,87 |
| SUSTAINABLE TOURISM |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
27 |
3,87 |
| TURKISH AND WORLD CUISINES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0,43 |
| ARTIFICIAL INTELLIGENCE AND ITS STRATEGIC USE IN BUSINESS |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
5 |
0 |
1 |
3 |
3 |
0 |
0 |
16 |
2,3 |
| CURRENT ISSUES IN THE WORLD ECONOMY |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
3 |
2 |
5 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
26 |
3,73 |
| DESIGN THINKING |
0 |
0 |
0 |
3 |
0 |
3 |
3 |
3 |
5 |
5 |
5 |
5 |
0 |
0 |
5 |
5 |
5 |
5 |
2 |
54 |
7,75 |
| DIGITAL TRANSFORMATION |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
4 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
12 |
1,72 |
| INTERNATIONAL MONEY AND CAPITAL MARKETS |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
3 |
2 |
5 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
26 |
3,73 |
| INTERNATIONAL SALES MANAGEMENT |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
4 |
5 |
4 |
3 |
4 |
0 |
4 |
3 |
2 |
1 |
1 |
1 |
38 |
5,45 |
| PURCHASING MANAGEMENT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| GREEN LOGISTICS |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
0,57 |
| FINANCIAL PLANNING IN LOGISTICS |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0,14 |
| DIGITAL FINANCE |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
17 |
2,44 |
| CULTUREL DIFFERENCES IN TRADE |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
5 |
0,72 |
| INTERNATIONAL TRADE BLOCKS AND TREATIES |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
23 |
3,3 |
| UNDERSTANDING INTERNATIONAL TRADE WITH FILMS |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
12 |
1,72 |
| FUNDAMENTALS OF INFORMATION TECHNOLOGIES |
2 |
2 |
2 |
3 |
3 |
2 |
2 |
2 |
2 |
2 |
3 |
3 |
4 |
2 |
2 |
2 |
2 |
1 |
1 |
42 |
6,03 |
| DIGITAL LITERACY |
2 |
3 |
3 |
3 |
2 |
3 |
3 |
2 |
4 |
4 |
3 |
3 |
4 |
1 |
4 |
3 |
4 |
3 |
4 |
58 |
8,32 |
| GAME THEORY |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
25 |
3,59 |
| TECHNOLOGY AND SOCIETY |
2 |
3 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
30 |
4,3 |
| CRITICAL THINKING ON SOCIAL MEDIA |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
9 |
1,29 |
| SOCIAL GENDER AND MEDIA |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SOCIAL MEDIA MARKETING |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| IDENTITY, MEDIA, CULTURE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| NEW MEDIA INNOVATION |
1 |
1 |
4 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
23 |
3,3 |
| RHETORIC AND LEADERSHIP |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| TOTAL |
210 |
210 |
206 |
248 |
175 |
212 |
196 |
206 |
279 |
287 |
253 |
211 |
158 |
147 |
234 |
215 |
246 |
246 |
238 |
4177 |
599,28 |