EUROPEAN CINEMA PROGRAMME COURSE DESCRIPTION

Code	Name of the Course Unit	Semester	In-Class Hours (T+P)	Credit	ECTS Credit
STV358	EUROPEAN CINEMA	5	3	3	5

GENERAL INFORMATION
Language of Instruction :	Turkish
Level of the Course Unit :	BACHELOR'S DEGREE, TYY: + 6.Level, EQF-LLL: 6.Level, QF-EHEA: First Cycle
Type of the Course :	Elective
Mode of Delivery of the Course Unit	-
Coordinator of the Course Unit	Assist.Prof. ASLI KASAR
Instructor(s) of the Course Unit
Course Prerequisite	No

OBJECTIVES AND CONTENTS
Objectives of the Course Unit:	It is aimed to define the components of the change in European cinema within the framework of regions and countries and to reveal the relationship between them with a critical approach.
Contents of the Course Unit:	Evaluating the developments in European cinema through cinema movements and predecessor directors, discussing important filmmakers and their works that have taken place in contemporary European cinema.

KEY LEARNING OUTCOMES OF THE COURSE UNIT (On successful completion of this course unit, students/learners will or will be able to)
Explains the outlines of trends in construction, distribution and display in today's world cinema.
Recognize the different cinema concepts that stand out in European cinema.
Have knowledge about new cinema movements such as "New Realism", "New Wave" and "Dogma 95" in Italy, France and Scandinavian countries.
Critically evaluates two main trends in world cinema with popular action / sci-fi movies and independent cinema examples.

WEEKLY COURSE CONTENTS AND STUDY MATERIALS FOR PRELIMINARY & FURTHER STUDY
Week	Preparatory	Topics(Subjects)	Method
1	Research on the subject	History of European Cinema 1895-1950	Lecture, Film Screening, Discussion
2	Research on the subject	History of European Cinema 1950-2000	Lecture, Film Screening, Discussion
3	Research on the subject	Italian New Realism	Lecture, Film Screening, Discussion
4	Research on the subject	Watching and discussing the War Trilogy of Roberto Rosselini, one of the directors of Italian New Realism Cinema	Lecture, Film Screening, Discussion
5	Research on the subject	French New Wave	Lecture, Film Screening, Discussion
6	Research on the subject	Watching and discussing French New Wave directors François Truffaut and Françoise Truffaut's The 400 Blows and Breathless films.	Lecture, Film Screening, Discussion
7	Research on the subject	Dogma 95 Wave	Lecture, Film Screening, Discussion
8	-	MID-TERM EXAM	-
9	Research on the subject	Watching and discussing Dogma 95 Wave directors Thomas Vinterberg and Lars Von Trier's Festen and Dancer in the Dark films.	Lecture, Film Screening, Discussion
10	Research on the subject	German New Wave	Lecture, Film Screening, Discussion
11	Research on the subject	Watching and discussing German New Wave directors Wim Wenders and Rainer Werner Fassbinder's Wings of Desire and The Marriage of Maria Braun films.	Lecture, Film Screening, Discussion
12	Research on the subject	British Institute of Cinema and Free Cinema	Lecture, Film Screening, Discussion
13	Research on the subject	Major films and directors from various European countries: Roy Andersson, Werner Herzog, Mike Leigh, Ken Loach, Pedro Almodóvar, Michael Haneke, Bela Tarr	Lecture, Film Screening, Discussion
14	Research on the subject	The place of European Cinema products in the industrial distribution process	Lecture, Film Screening, Discussion
15	Research on the subject	European Film Festivals	Lecture, Film Screening, Discussion
16	-	FINAL EXAM	-
17	-	FINAL EXAM	-

SOURCE MATERIALS & RECOMMENDED READING
Akbulut, D. (2012). Sinemanın İlkeleri Avrupa Sineması. İstanbul: Kare Publishing.
Aitken, I. (2015). Avrupa Sinema Kuramları. İstanbul: Doruk Publishing.
Novell-Smith, G. (2003). Dünya Sinema Tarihi. Ahmet Fethi (Çev.). İstanbul: Kabalcı Publisher.
Oylum, R. (2017). Alman Sineması. İstanbul: Seyyah Kitap.
Lanzoni, R. F. (2015). Başlangıcından Günümüze Fransız Sineması. Ertan Yılmaz (çev.). İstanbul: Küre Yayınları.
Wiegand, C. (2011). Fransız Yeni Dalga Sineması. Serdar Güneri (çev.). İstanbul: Kalkedon Yayınları.
Oylum, R. (2016). Rus Sineması. İstanbul: Seyyah Kitap.
Doğan, E. (2016). Amerikan ve İngiliz Sinemasında Karşılaştırmalı Olarak Darwin ve Darwinizm. Yayımlanmamış Yüksek Lisans Tezi. Dokuz Eylül Üniversitesi Güzel Sanatlar Enstitüsü, İzmir.
Monaco, J. (2002). Bir film Nasıl Okunur?. Ertan Yılmaz (çev.). İstanbul: Oğlak Yayınları.
Kracauer, S. (2012). Caligari'den Hitler'e. Ertan Yılmaz (çev.). Ankara: De Ki Basım Yayım.

ASSESSMENT
Assessment & Grading of In-Term Activities	Number of Activities	Degree of Contribution (%)	Description	Examination Method

Level of Contribution
0	1	2	3	4	5

KNOWLEDGE
Theoretical
	Programme Learning Outcomes	Level of Contribution
		0	1	2	3	4	5
1	The students will be able to explain him/herself in verbally and orally in Turkish and at least in one foreign language in order to be able to work together with the professional persons and institutions.

KNOWLEDGE
Factual
	Programme Learning Outcomes	Level of Contribution
		0	1	2	3	4	5
1	The students will be able to define the basic concepts in the field of communication and design

SKILLS
Cognitive
	Programme Learning Outcomes	Level of Contribution
		0	1	2	3	4	5
1	The students will be able to create designs by processing technical information in the field of Communication and Digital Visual Design.

SKILLS
Practical
	Programme Learning Outcomes	Level of Contribution
		0	1	2	3	4	5
1	The students will be able to make applications in the field of Digital Design and Multimedia.
2	The students will be able to use the softwares required for each stage of the post-production process in a communication facility.

OCCUPATIONAL
Autonomy & Responsibility
	Programme Learning Outcomes	Level of Contribution
		0	1	2	3	4	5
1	The students will be able to solve communication, design and artistic problems individually and as well as a member of a team in the field of digital media design.

OCCUPATIONAL
Learning to Learn
	Programme Learning Outcomes	Level of Contribution
		0	1	2	3	4	5
1	The students will be able to interpret communication, social and design concepts used in the discipline of Communication Design.

OCCUPATIONAL
Communication & Social
	Programme Learning Outcomes	Level of Contribution
		0	1	2	3	4	5
1	He/she follows the artistic agenda of the day. He/she produces written and oral works based on the oral and written communication agenda of the day.
2	The students will be able to develop projects within an interdisciplinary perspective, conscious of being a communicator and designer.

OCCUPATIONAL
Occupational and/or Vocational
	Programme Learning Outcomes	Level of Contribution
		0	1	2	3	4	5
1	The students will be able to formulate various analytical visual communication strategies using the knowledge of communication and design science in the construction and implementation of sustainable design principles.
2	The students will be able to create designs using advanced computer softwares and information-communication technologies that are required by the discipline of Communication Design .
3	The students will be able to develop campaigns aimed at solving political and social visual communication problems by taking advantage of the historical and theoretical knowledge of the discipline of Communication Design.

WORKLOAD & ECTS CREDITS OF THE COURSE UNIT
Workload for Learning & Teaching Activities
Type of the Learning Activites	Learning Activities (# of week)	Duration (hours, h)	Workload (h)
Lecture & In-Class Activities	14	3	42
Preliminary & Further Study	13	2	26
Land Surveying	0	0	0
Group Work	0	0	0
Laboratory	0	0	0
Reading	8	3	24
Assignment (Homework)	7	3	21
Project Work	0	0	0
Seminar	3	3	9
Internship	0	0	0
Technical Visit	0	0	0
Web Based Learning	0	0	0
Implementation/Application/Practice	0	0	0
Practice at a workplace	0	0	0
Occupational Activity	0	0	0
Social Activity	0	0	0
Thesis Work	0	0	0
Field Study	0	0	0
Report Writing	0	0	0
Final Exam	1	2	2
Preparation for the Final Exam	0	0	0
Mid-Term Exam	1	2	2
Preparation for the Mid-Term Exam	0	0	0
Short Exam	0	0	0
Preparation for the Short Exam	0	0	0
TOTAL	47	0	126