| Novell-Smith, G. (2003). Dünya Sinema Tarihi. Ahmet Fethi (Çev.). İstanbul: Kabalcı Publishing. |
| Carter, D. (2011). Doğu Asya Sineması. İstanbul: Kalkedon Publishing. |
| Oylum, R. (2011), Uzakdoğu Sineması, İstanbul: Başka Yerler. |
| Richards, A. (2011), Asya Korku Sineması, İstanbul: Kalkedon Yayınları. |
| Chu, Y. (2003), Hong Kong Cinema: Coloniser, Motherland and Self. London and New York: Routledge Curzon. |
| Lim, S.H. (2020),The Chinese Cinema Book, British Film Institute. |
| Ahn, S. J. (2012). The Pusan International Film Festival: South Korean Cinema and Globalization. Hong Kong: Hong Kong University Press. |
| Sudo, N.& Tanikawa, T. (2019) Cultural Politics around East Asian Cinema: 1939-2018, Kyoto: Trans Pacific Press. |
| Yau Shuk-ting Kinnia (2011) East Asian Cinema and Cultural Heritage: From China, Hong Kong, Taiwan to Japan and South Korea, London: Palgrave Macmillan. |
| Cheung, R. (2015) New Hong Kong Cinema: Transitions to Becoming Chinese in 21st-Century East Asia, New York: Berghahn Books. |