| Jung, C. G. (1964). Man and his symbols. London, UK: Aldus Books. |
| Mulvey, L. (1975). Visual pleasure and narrative cinema. Screen, 16(3), 6–18. |
| Carroll, N. (1990). The philosophy of horror: Or, paradoxes of the heart. New York, NY: Routledge. |
| Turkle, S. (2011). Alone together: Why we expect more from technology and less from each other. New York, NY: Basic Books. |
| Smith, M. (1995). Engaging characters: Fiction, emotion, and the cinema. Oxford, UK: Clarendon Press. |
| Bordwell, D., & Thompson, K. (2019). Film art: An introduction New York, NY: McGraw-Hill. |
| Raine, A. (2013). The anatomy of violence: The biological roots of crime. New York, NY: Pantheon Books |