| GERMAN I |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
0,7 |
| GERMAN II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0,12 |
| GERMAN III |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
0,7 |
| GERMAN IV |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
0,7 |
| PREVENTION OF ADDICTIONS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CULTURAL PSYCHOLOGY: CULTURES INFLUENCE ON BEHAVIOUR / MULTICULTURALISM SPECIALITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| UNDERSTANDING CULTURAL DIFFERENCES: COMMUNICATING ACROSS CULTURES / MULTICULTURALISM SPECIALITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| WOMEN AND HUMAN RIGHTS: UNDERSTANDING WOMEN / MULTICULTURALISM SPECIALITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| WAYS TO MANAGE STRESS AND AVOID CONFLICT / MULTICULTURALISM SPECIALITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ENVIRONMENTAL ECONOMY AND SUSTAINABILITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DIGITAL MONEY AND PAYMENT SYSTEMS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| INTRODUCTION TO DATA ANALYSIS IN PYTHON |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SOCIAL ECONOMY |
3 |
3 |
4 |
3 |
4 |
3 |
3 |
2 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
58 |
6,72 |
| FRENCH I |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
5 |
5 |
1 |
0 |
0 |
14 |
1,62 |
| FRENCH II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FRENCH III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FRENCH IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ENTREPRENEURSHIP |
3 |
4 |
4 |
3 |
3 |
3 |
4 |
2 |
3 |
3 |
4 |
5 |
4 |
4 |
3 |
2 |
4 |
3 |
2 |
63 |
7,3 |
| DIGITAL MARKETING |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
3 |
1 |
2 |
3 |
3 |
1 |
3 |
1 |
1 |
2 |
2 |
33 |
3,82 |
| PUBLICITY IN TOURISM |
3 |
2 |
2 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
19 |
2,2 |
| MEDIA LITERACY |
3 |
4 |
3 |
5 |
5 |
4 |
4 |
0 |
2 |
5 |
1 |
1 |
3 |
5 |
4 |
5 |
1 |
1 |
5 |
61 |
7,07 |
| HEALTH COMMUNICATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ADVERTISEMENT WRITING |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| REPRESENTATION, SUPERVISION AND MANAGEMENT |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
19 |
2,2 |
| BASIC HEALTH INFORMATION AND FIRST AID |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
9 |
1,04 |
| AIRCRAFT ACCIDENTS AND CASE INVESTIGATIONS |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
11 |
1,27 |
| CURRENT ISSUES IN AVIATION |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
19 |
2,2 |
| LEARNING ENGLISH THROUGH MOVIES / İNGİLİZCE UZMANLIK |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ACADEMIC WRITING WORKSHOP / İNGİLİZCE UZMANLIK |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| LEARNING ENGLISH THROUGH DRAMA / İNGİLİZCE UZMANLIK |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ENGLISH FOR CAREER DEVELOPMENT/İNGİLİZCE UZMANLIK |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| OCCUPATIONAL HEALTH AND SAFETY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CAREER DEVELOPMENT |
4 |
5 |
5 |
5 |
5 |
5 |
5 |
3 |
3 |
4 |
4 |
3 |
4 |
4 |
5 |
5 |
3 |
3 |
4 |
79 |
9,15 |
| FUNDAMENTALS OF BUSINESS |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
27 |
3,13 |
| FUNDAMENTALS OF MANAGEMENT |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
19 |
2,2 |
| FUNDAMENTALS OF MARKETING |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
19 |
2,2 |
| ITALIAN I |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
3 |
2 |
2 |
27 |
3,13 |
| ITALIAN II |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
3 |
1 |
1 |
1 |
27 |
3,13 |
| ITALIAN III |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
3 |
2 |
2 |
27 |
3,13 |
| ITALIAN IV |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
3 |
2 |
2 |
27 |
3,13 |
| BASIC KOREAN (CONVERSATION) |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
19 |
2,2 |
| FINANCIAL LITERACY: THE IMPORTANCE OF MONEY / LITERACY EXPERTISE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| POLITICAL LITERACY: POLITICS IN DIGITAL ERA / LITERACY SPECIALITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| MEDIA LITERACY: MESSAGES OF THE MEDIA / LITERACY EXPERTISE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| TECHNOLOGY LITERACY: LIVING WITH TECHNOLOGY / LITERACY EXPERTISE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| PSYCHOLOGY OF LEADERSHIP |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
4 |
4 |
4 |
4 |
3 |
3 |
3 |
3 |
3 |
2 |
2 |
2 |
72 |
8,34 |
| POLITICAL PSYCHOLOGY |
4 |
4 |
5 |
4 |
5 |
4 |
4 |
5 |
4 |
4 |
5 |
4 |
5 |
4 |
5 |
4 |
5 |
4 |
5 |
84 |
9,73 |
| PSYCHOLOGY OF FILM |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
19 |
2,2 |
| GENDER, PREJUDICE AND DISCRIMINATION |
3 |
4 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
4 |
3 |
4 |
3 |
3 |
3 |
4 |
3 |
4 |
62 |
7,18 |
| PSYCHOLOGY OF COMMUNICATION |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
19 |
2,2 |
| CORPORATE SOCIAL RESPONSIBILITY |
2 |
2 |
3 |
2 |
3 |
2 |
3 |
0 |
4 |
4 |
4 |
4 |
3 |
5 |
4 |
3 |
1 |
0 |
2 |
51 |
5,91 |
| POLITICS AND COMMUNICATION IN THE DIGITAL AGE |
4 |
4 |
4 |
5 |
5 |
5 |
5 |
0 |
1 |
4 |
3 |
1 |
0 |
5 |
2 |
5 |
0 |
0 |
3 |
56 |
6,49 |
| ADVERTISING AND ETHICS |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
11 |
1,27 |
| INTERNATIONAL ADVERTISING |
5 |
4 |
3 |
4 |
5 |
5 |
4 |
4 |
4 |
5 |
4 |
4 |
3 |
4 |
3 |
4 |
5 |
5 |
5 |
80 |
9,27 |
| ADVERTISING AND POPULAR CULTURE |
3 |
3 |
4 |
5 |
5 |
3 |
5 |
0 |
0 |
5 |
3 |
2 |
3 |
5 |
4 |
5 |
0 |
0 |
2 |
57 |
6,6 |
| TRANSFORMING ADVERTISING PARADIGMS |
4 |
4 |
5 |
3 |
4 |
5 |
4 |
0 |
2 |
3 |
0 |
5 |
5 |
5 |
5 |
5 |
4 |
4 |
5 |
72 |
8,34 |
| ADVERTISING PHILOSOPHY |
3 |
3 |
4 |
4 |
4 |
4 |
4 |
0 |
0 |
5 |
4 |
3 |
0 |
5 |
2 |
5 |
0 |
0 |
2 |
52 |
6,03 |
| MEDIA ECONOMICS |
1 |
3 |
3 |
4 |
3 |
0 |
2 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
23 |
2,67 |
| CITY AND CINEMA |
4 |
4 |
4 |
2 |
4 |
2 |
3 |
1 |
1 |
5 |
5 |
1 |
2 |
4 |
3 |
1 |
1 |
1 |
1 |
49 |
5,68 |
| ACADEMIC TEXT WRITING |
4 |
4 |
4 |
4 |
4 |
1 |
4 |
1 |
1 |
4 |
5 |
1 |
5 |
5 |
5 |
4 |
1 |
1 |
1 |
59 |
6,84 |
| PROGRAMME PRODUCTION ON DIGITAL PLATFORMS AND TELEVISION |
4 |
4 |
4 |
4 |
4 |
2 |
4 |
1 |
5 |
1 |
5 |
5 |
5 |
5 |
5 |
5 |
2 |
1 |
4 |
70 |
8,11 |
| SHORT FILM PRODUCTION AND DIRECTING |
3 |
3 |
3 |
3 |
4 |
3 |
4 |
1 |
3 |
4 |
4 |
5 |
4 |
4 |
5 |
5 |
2 |
1 |
4 |
65 |
7,53 |
| FILM ANALYSIS AND CRITICISM |
2 |
2 |
4 |
1 |
3 |
2 |
2 |
1 |
4 |
5 |
4 |
2 |
1 |
3 |
2 |
4 |
1 |
1 |
3 |
47 |
5,45 |
| CONTENT PRODUCTION WITH ARTIFICIAL INTELLIGENCE |
4 |
4 |
4 |
4 |
5 |
3 |
4 |
4 |
5 |
4 |
4 |
5 |
3 |
4 |
4 |
4 |
4 |
4 |
4 |
77 |
8,92 |
| VISUAL CULTURE |
1 |
4 |
2 |
1 |
1 |
2 |
3 |
1 |
3 |
4 |
3 |
3 |
1 |
4 |
4 |
3 |
1 |
1 |
5 |
47 |
5,45 |
| WORLD CINEMAS |
1 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
3 |
3 |
1 |
1 |
3 |
34 |
3,94 |
| CINEMA AND IDEOLOGY |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
5 |
2 |
0 |
0 |
4 |
0 |
5 |
0 |
0 |
0 |
26 |
3,01 |
| MEDIA AND COMMUNICATION ENGLISH |
2 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
2 |
3 |
4 |
5 |
3 |
4 |
2 |
2 |
2 |
2 |
45 |
5,21 |
| CULTURAL STUDIES AND CINEMA |
3 |
4 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
5 |
1 |
0 |
2 |
2 |
2 |
5 |
0 |
0 |
0 |
32 |
3,71 |
| SCIENCE COMMUNICATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FILM AND VIDEO EDITING |
2 |
2 |
2 |
2 |
5 |
1 |
3 |
0 |
5 |
2 |
1 |
4 |
2 |
4 |
5 |
5 |
1 |
1 |
1 |
48 |
5,56 |
| SCRIPTWRITING |
3 |
3 |
4 |
2 |
4 |
1 |
3 |
1 |
3 |
4 |
1 |
4 |
4 |
2 |
4 |
3 |
1 |
1 |
1 |
49 |
5,68 |
| RUSSIAN I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0,12 |
| RUSSIAN II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| RUSSIAN III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| RUSSIAN IV |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0,12 |
| HUMAN RIGHTS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| INTERNATIONAL POLITICAL ECONOMY |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0,35 |
| POLITICAL AND INTELLECTUAL MOVEMENTS IN TURKEY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0,35 |
| CHINESE POLITICS AND FOREIGN POLICY |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
0,58 |
| SUSTAINABLE ENVIRONMENTAL MANAGEMENT |
3 |
3 |
4 |
4 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
2 |
1 |
0 |
3 |
36 |
4,17 |
| IDENTITY AND POLITICS |
2 |
3 |
2 |
2 |
2 |
1 |
0 |
0 |
3 |
4 |
4 |
3 |
3 |
2 |
4 |
4 |
1 |
1 |
3 |
44 |
5,1 |
| GENDER AND POLITICS |
1 |
4 |
4 |
2 |
2 |
1 |
1 |
1 |
1 |
4 |
4 |
1 |
4 |
4 |
4 |
1 |
1 |
1 |
1 |
42 |
4,87 |
| STATE AND ADMINISTRATION |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
15 |
1,74 |
| SOCIOLOGY OF LEISURE TIME |
5 |
4 |
5 |
3 |
5 |
4 |
1 |
0 |
1 |
5 |
5 |
1 |
4 |
5 |
5 |
5 |
0 |
0 |
5 |
63 |
7,3 |
| LOGIC |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SOCIOLOGY OF CONSUMPTION AND SAVINGS |
4 |
4 |
5 |
3 |
4 |
5 |
3 |
0 |
0 |
4 |
5 |
0 |
0 |
5 |
1 |
5 |
3 |
0 |
4 |
55 |
6,37 |
| HISTORY OF THOUGHT |
3 |
3 |
5 |
3 |
4 |
4 |
4 |
1 |
2 |
3 |
2 |
3 |
4 |
5 |
5 |
5 |
1 |
1 |
2 |
60 |
6,95 |
| PHILOSOPHY OF SCIENCE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ENVIRONMENTAL SOCIOLOGY |
0 |
0 |
0 |
0 |
5 |
4 |
4 |
0 |
0 |
4 |
5 |
0 |
0 |
5 |
4 |
0 |
0 |
0 |
5 |
36 |
4,17 |
| POLITICAL PHILOSOPHY |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
8 |
0,93 |
| POVERTY AND SOCIAL POLICY |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
5 |
0,58 |
| SPANISH I |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
21 |
2,43 |
| SPANISH II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SPANISH III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SPANISH IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FUNDAMENTAL PRINCIPLES OF QUALITY MANAGEMENT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| TURKISH MYTHOLOGY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| WORLD LITERATURE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CLASSICAL LITERATURE AND PSYCHOANALYSIS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CLASSICAL LITERATURE AND POLITICS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CITY AND CIVILIZATION |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
3 |
3 |
2 |
1 |
1 |
1 |
30 |
3,48 |
| WORLD GEOGRAPHY AND TOURISM DESTINATIONS |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
24 |
2,78 |
| SUSTAINABLE TOURISM |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
6 |
0,7 |
| TURKISH AND WORLD CUISINES |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0,12 |
| ARTIFICIAL INTELLIGENCE AND BEHAVIOR / BEHAVIOR EXPERTISE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| POLITICAL BEHAVIOUR AND SOCIAL IDENTITY IN DIGITAL AGE/BEHAVIOR EXPERTISE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ABNORMAL BEHAVIOR: WAYS TO RECOGNIZE PROBLEM BEHAVIOR / BEHAVIOR EXPERTISE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DECISION-MAKING BEHAVIOR OF THE BRAIN / BEHAVIOR EXPERTISE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FROM IDEAS TO PRODUCT: INNOVATIVE DESIGN/ DESIGN SPECIALITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| HARMONY, BALANCE AND VISUAL DESIGN / DESIGN EXPERTISE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| PLACE, TIME AND DESIGN / DESIGN SPECIALITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| THINK AND MAKE: CREATIVE THINKING AND DESIGN / DESIGN SPECIALITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ARTIFICIAL INTELLIGENCE AND ITS STRATEGIC USE IN BUSINESS |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
5 |
3 |
5 |
23 |
2,67 |
| CURRENT ISSUES IN THE WORLD ECONOMY |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0,46 |
| DESIGN THINKING |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
5 |
0 |
0 |
0 |
0 |
8 |
0,93 |
| DIGITAL TRANSFORMATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
3 |
13 |
1,51 |
| INTERNATIONAL MONEY AND CAPITAL MARKETS |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
6 |
0,7 |
| INTERNATIONAL SALES MANAGEMENT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0,12 |
| PURCHASING MANAGEMENT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| GREEN LOGISTICS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FINANCIAL PLANNING IN LOGISTICS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0,12 |
| INNOVATIVE THINKING SKILLS / HIGH-LEVEL EXPERTISE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DECISION MAKING AS A LIFE SKILL / TOP EXPERTISE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| COMPLEX PROBLEM SOLVING SKILL METHODS / METACOGNITIVE SPECIALITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ADAPTATION SKILL: WAYS TO ENHANCE COGNITIVE FLEXIBILITY / HIGH-LEVEL EXPERTISE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DIGITAL FINANCE |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
12 |
1,39 |
| CULTUREL DIFFERENCES IN TRADE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| INTERNATIONAL TRADE BLOCKS AND TREATIES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0,23 |
| UNDERSTANDING INTERNATIONAL TRADE WITH FILMS |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
9 |
1,04 |
| FUNDAMENTALS OF INFORMATION TECHNOLOGIES |
2 |
2 |
2 |
2 |
3 |
3 |
2 |
4 |
4 |
3 |
3 |
3 |
2 |
3 |
3 |
2 |
3 |
0 |
2 |
48 |
5,56 |
| DIGITAL LITERACY |
2 |
2 |
3 |
3 |
4 |
4 |
3 |
1 |
2 |
3 |
3 |
3 |
4 |
4 |
3 |
4 |
2 |
1 |
3 |
54 |
6,26 |
| GAME THEORY |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
22 |
2,55 |
| TECHNOLOGY AND SOCIETY |
3 |
3 |
2 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
2 |
37 |
4,29 |
| YENİ MEDYADA ETİK SORUNLAR |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| NEW MEDIA ECONOMICS |
3 |
3 |
3 |
3 |
2 |
1 |
3 |
0 |
2 |
5 |
1 |
2 |
2 |
4 |
2 |
4 |
0 |
0 |
2 |
42 |
4,87 |
| DIGITAL CULTURE |
2 |
2 |
2 |
4 |
5 |
2 |
2 |
0 |
4 |
3 |
1 |
2 |
0 |
0 |
3 |
4 |
0 |
1 |
2 |
39 |
4,52 |
| GAMIFICATION |
0 |
2 |
2 |
3 |
3 |
2 |
2 |
4 |
4 |
3 |
3 |
5 |
4 |
5 |
4 |
4 |
5 |
3 |
3 |
61 |
7,07 |
| DATA JOURNALISM |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DİJİTAL ETNOGRAFİ |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CITIZEN JOURNALISM |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| NEW MEDIA AND ART |
1 |
1 |
1 |
2 |
4 |
4 |
1 |
0 |
3 |
1 |
2 |
2 |
3 |
2 |
4 |
5 |
1 |
1 |
3 |
41 |
4,75 |
| SPORTS JOURNALISM |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| NEW MEDIA SOCIOLOGY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| MEDIA PLANNING |
5 |
5 |
0 |
5 |
5 |
0 |
5 |
0 |
1 |
5 |
5 |
5 |
5 |
5 |
2 |
5 |
0 |
0 |
0 |
58 |
6,72 |
| CRITICAL THINKING ON SOCIAL MEDIA |
5 |
5 |
5 |
5 |
5 |
2 |
5 |
0 |
3 |
5 |
5 |
2 |
4 |
5 |
3 |
5 |
0 |
0 |
0 |
64 |
7,42 |
| SOCIAL GENDER AND MEDIA |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
5 |
1 |
0 |
3 |
5 |
1 |
2 |
0 |
0 |
1 |
22 |
2,55 |
| SOSYAL MEDYA STRATEJİLERİ |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ALTERNATIVE MEDIA AND DIGITAL ACTIVISM |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| VERİ OKURYAZARLIĞI |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SOCIAL MEDIA MARKETING |
3 |
3 |
3 |
3 |
2 |
2 |
0 |
1 |
3 |
3 |
3 |
3 |
3 |
4 |
3 |
3 |
1 |
1 |
4 |
48 |
5,56 |
| IDENTITY, MEDIA, CULTURE |
4 |
4 |
4 |
4 |
4 |
4 |
1 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
1 |
1 |
1 |
64 |
7,42 |
| NEW MEDIA INNOVATION |
5 |
5 |
5 |
5 |
5 |
5 |
4 |
3 |
5 |
5 |
3 |
3 |
4 |
4 |
3 |
4 |
4 |
3 |
4 |
79 |
9,15 |
| MEDYA ANLATI TÜRLERİ |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| THE ART OF NETWORK COMMUNICATION IN MANAGEMENT / INNOVATION SPECIALITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| WAYS TO ACHIEVE ECONOMIC SUCCESS: SUSTAINABLE INNOVATION / EXPERTISE IN INNOVATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| INNOVATION AND TECHNOLOGY: HOW TO THINK INNOVATIVE / INNOVATION SPECIALITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FROM INNOVATION TO ENTREPRENEURHSIP: WHY IT IS THE SKILL OF THE FUTURE / INNOVATION SPECIALITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FUTURE TECHNOLOGIES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| MULTIDISCIPLINARY PROJECT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| RHETORIC AND LEADERSHIP |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FOOD WORKSHOP APPLICATIONS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| COMMUNICATION ART: COMMUNICATION AS A LIFE SKILL |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| INTRODUCTION TO DATA ANALYSIS AND REPORTING |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| UNDERSTANDING HUMAN NEEDS: PRODUCTION, DISTRIBUTION AND CONSUMPTION IN DIGITAL ERA |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| BIG DATA MANAGEMENT |
1 |
1 |
1 |
2 |
3 |
4 |
1 |
0 |
2 |
1 |
4 |
2 |
1 |
1 |
3 |
2 |
1 |
5 |
2 |
37 |
4,29 |
| CREATIVE WRITING: EFFECTIVE WRITING TECHNIQUES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| THINKING MATHEMATICALLY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| TOTAL |
161 |
179 |
178 |
175 |
214 |
161 |
164 |
76 |
134 |
204 |
175 |
149 |
165 |
220 |
230 |
213 |
110 |
90 |
158 |
3156 |
365,7 |