| GERMAN I |
3 |
4 |
4 |
4 |
3 |
4 |
4 |
3 |
4 |
4 |
4 |
3 |
4 |
5 |
5 |
5 |
0 |
63 |
7,53 |
| GERMAN II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0,12 |
| GERMAN III |
1 |
2 |
2 |
2 |
2 |
5 |
4 |
3 |
2 |
2 |
2 |
2 |
2 |
5 |
5 |
4 |
3 |
48 |
5,73 |
| GERMAN IV |
2 |
2 |
2 |
3 |
5 |
5 |
2 |
4 |
2 |
2 |
4 |
2 |
3 |
5 |
5 |
5 |
3 |
56 |
6,69 |
| ARABIC I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ARABIC II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ARABIC III |
2 |
2 |
3 |
3 |
4 |
5 |
3 |
4 |
3 |
3 |
5 |
5 |
4 |
5 |
5 |
5 |
3 |
64 |
7,65 |
| ARABIC IV |
2 |
3 |
3 |
3 |
4 |
5 |
5 |
5 |
4 |
3 |
5 |
4 |
4 |
5 |
5 |
5 |
3 |
68 |
8,12 |
| PREVENTION OF ADDICTIONS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| INTRODUCTION TO EDUCATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| TEACHING PRINCIPLES AND METHODS |
2 |
2 |
3 |
3 |
4 |
4 |
5 |
4 |
5 |
5 |
5 |
4 |
4 |
5 |
5 |
5 |
4 |
69 |
8,24 |
| CLASSROOM MANAGEMENT |
1 |
2 |
2 |
3 |
3 |
3 |
4 |
4 |
4 |
3 |
4 |
3 |
4 |
3 |
4 |
4 |
5 |
56 |
6,69 |
| SPECIAL TEACHING METHODS |
2 |
3 |
3 |
4 |
4 |
4 |
4 |
3 |
4 |
5 |
5 |
4 |
4 |
5 |
5 |
5 |
2 |
66 |
7,89 |
| GUIDANCE AND SPECIAL EDUCATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| MEASUREMENT AND EVALUATION IN EDUCATION |
2 |
3 |
3 |
3 |
3 |
4 |
5 |
5 |
3 |
3 |
4 |
3 |
4 |
5 |
5 |
5 |
2 |
62 |
7,41 |
| EDUCATION PSYCHOLOGY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| INSTRUCTIONAL TECHNOLOGIES |
2 |
3 |
3 |
3 |
4 |
4 |
3 |
5 |
5 |
4 |
4 |
3 |
2 |
5 |
5 |
5 |
1 |
61 |
7,29 |
| TEACHING PRACTICE |
2 |
3 |
3 |
3 |
3 |
4 |
4 |
5 |
5 |
5 |
4 |
3 |
4 |
5 |
5 |
5 |
2 |
65 |
7,77 |
| ENVIRONMENTAL ECONOMY AND SUSTAINABILITY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DIGITAL MONEY AND PAYMENT SYSTEMS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| INTRODUCTION TO DATA ANALYSIS IN PYTHON |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SOCIAL ECONOMY |
4 |
3 |
3 |
3 |
3 |
3 |
3 |
4 |
3 |
3 |
3 |
3 |
3 |
3 |
3 |
4 |
3 |
54 |
6,45 |
| FRENCH I |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
5 |
5 |
1 |
0 |
16 |
1,91 |
| FRENCH II |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
5 |
0,6 |
| FRENCH III |
2 |
2 |
2 |
3 |
4 |
5 |
5 |
5 |
4 |
4 |
5 |
4 |
4 |
5 |
5 |
5 |
2 |
66 |
7,89 |
| FRENCH IV |
2 |
2 |
3 |
3 |
3 |
5 |
5 |
4 |
5 |
4 |
4 |
5 |
3 |
5 |
4 |
4 |
1 |
62 |
7,41 |
| ENTREPRENEURSHIP |
4 |
2 |
3 |
4 |
2 |
4 |
2 |
2 |
3 |
4 |
4 |
4 |
5 |
3 |
3 |
5 |
2 |
56 |
6,69 |
| CULTURE AND CREATIVE INDUSTRIES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DIGITAL MARKETING |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
16 |
1,91 |
| PUBLICITY IN TOURISM |
2 |
0 |
3 |
4 |
0 |
0 |
3 |
3 |
3 |
4 |
4 |
4 |
4 |
3 |
3 |
4 |
4 |
48 |
5,73 |
| HEALTH COMMUNICATION |
3 |
5 |
5 |
4 |
1 |
3 |
3 |
5 |
3 |
4 |
5 |
4 |
5 |
4 |
4 |
5 |
2 |
65 |
7,77 |
| ADVERTISEMENT WRITING |
1 |
2 |
3 |
2 |
2 |
2 |
2 |
4 |
4 |
4 |
4 |
3 |
2 |
1 |
2 |
5 |
3 |
46 |
5,5 |
| REPRESENTATION, SUPERVISION AND MANAGEMENT |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
17 |
2,03 |
| BASIC HEALTH INFORMATION AND FIRST AID |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
15 |
1,79 |
| AIRCRAFT ACCIDENTS AND CASE INVESTIGATIONS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
5 |
0,6 |
| CURRENT ISSUES IN AVIATION |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
17 |
2,03 |
| OCCUPATIONAL HEALTH AND SAFETY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CAREER DEVELOPMENT |
4 |
2 |
3 |
3 |
4 |
3 |
3 |
3 |
5 |
5 |
4 |
3 |
3 |
4 |
4 |
3 |
1 |
57 |
6,81 |
| FUNDAMENTALS OF BUSINESS |
5 |
5 |
5 |
4 |
5 |
5 |
5 |
5 |
4 |
5 |
5 |
5 |
4 |
5 |
5 |
5 |
5 |
82 |
9,8 |
| FUNDAMENTALS OF MANAGEMENT |
5 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
5 |
3 |
3 |
2 |
0 |
1 |
5 |
0 |
33 |
3,94 |
| FUNDAMENTALS OF MARKETING |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
18 |
2,15 |
| ITALIAN I |
2 |
3 |
3 |
2 |
3 |
5 |
4 |
4 |
4 |
5 |
3 |
5 |
4 |
5 |
4 |
5 |
2 |
63 |
7,53 |
| ITALIAN II |
2 |
3 |
3 |
2 |
3 |
5 |
4 |
4 |
4 |
5 |
3 |
5 |
4 |
5 |
4 |
5 |
2 |
63 |
7,53 |
| ITALIAN III |
2 |
3 |
3 |
2 |
3 |
5 |
5 |
4 |
4 |
5 |
3 |
4 |
5 |
5 |
4 |
5 |
2 |
64 |
7,65 |
| ITALIAN IV |
2 |
2 |
2 |
3 |
2 |
5 |
4 |
5 |
4 |
3 |
5 |
3 |
4 |
4 |
5 |
5 |
2 |
60 |
7,17 |
| BASIC KOREAN (CONVERSATION) |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
17 |
2,03 |
| PSYCHOLOGY OF LEADERSHIP |
1 |
1 |
1 |
5 |
3 |
2 |
3 |
3 |
3 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
3 |
53 |
6,33 |
| POLITICAL PSYCHOLOGY |
4 |
5 |
5 |
5 |
4 |
5 |
5 |
5 |
4 |
5 |
5 |
5 |
4 |
5 |
5 |
4 |
5 |
80 |
9,56 |
| PSYCHOLOGY OF FILM |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
17 |
2,03 |
| GENDER, PREJUDICE AND DISCRIMINATION |
2 |
2 |
3 |
2 |
2 |
4 |
5 |
4 |
5 |
5 |
3 |
0 |
4 |
5 |
5 |
5 |
2 |
58 |
6,93 |
| PSYCHOLOGY OF COMMUNICATION |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
17 |
2,03 |
| CORPORATE SOCIAL RESPONSIBILITY |
2 |
2 |
3 |
4 |
2 |
4 |
3 |
5 |
2 |
4 |
4 |
5 |
5 |
3 |
3 |
5 |
0 |
56 |
6,69 |
| POLITICS AND COMMUNICATION IN THE DIGITAL AGE |
2 |
4 |
5 |
4 |
2 |
4 |
4 |
5 |
2 |
3 |
5 |
5 |
4 |
3 |
2 |
5 |
0 |
59 |
7,05 |
| ADVERTISING AND ETHICS |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0,36 |
| INTERNATIONAL ADVERTISING |
5 |
2 |
5 |
1 |
2 |
5 |
5 |
5 |
5 |
4 |
5 |
5 |
5 |
5 |
5 |
5 |
1 |
70 |
8,36 |
| ADVERTISING AND POPULAR CULTURE |
2 |
1 |
4 |
4 |
0 |
2 |
2 |
3 |
2 |
1 |
5 |
5 |
4 |
1 |
0 |
5 |
0 |
41 |
4,9 |
| TRANSFORMING ADVERTISING PARADIGMS |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
21 |
2,51 |
| ADVERTISING PHILOSOPHY |
2 |
1 |
4 |
5 |
4 |
4 |
4 |
5 |
4 |
4 |
5 |
5 |
5 |
2 |
1 |
5 |
0 |
60 |
7,17 |
| MEDIA PHOTOGRAPHY |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
2 |
3 |
5 |
2 |
2 |
2 |
2 |
2 |
3 |
3 |
37 |
4,42 |
| MEDIA ECONOMICS |
2 |
3 |
3 |
4 |
5 |
3 |
3 |
5 |
3 |
2 |
4 |
5 |
2 |
2 |
2 |
4 |
1 |
53 |
6,33 |
| MEDIA ANALYSIS AND CRITICISM |
1 |
5 |
5 |
4 |
2 |
4 |
5 |
5 |
3 |
2 |
4 |
5 |
5 |
4 |
2 |
2 |
0 |
58 |
6,93 |
| MEDIA AUDIENCE THEORIES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CITY AND CINEMA |
3 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
4 |
4 |
5 |
5 |
4 |
5 |
5 |
5 |
5 |
80 |
9,56 |
| ACADEMIC TEXT WRITING |
4 |
5 |
4 |
4 |
4 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
81 |
9,68 |
| PROGRAMME PRODUCTION ON DIGITAL PLATFORMS AND TELEVISION |
4 |
5 |
5 |
4 |
5 |
4 |
4 |
4 |
5 |
5 |
5 |
5 |
4 |
4 |
4 |
5 |
5 |
77 |
9,2 |
| SHORT FILM PRODUCTION AND DIRECTING |
3 |
5 |
5 |
4 |
5 |
4 |
5 |
5 |
4 |
5 |
5 |
4 |
3 |
4 |
4 |
5 |
4 |
74 |
8,84 |
| COMMUNICATION AND ART |
0 |
4 |
3 |
3 |
3 |
4 |
2 |
5 |
1 |
3 |
4 |
5 |
3 |
3 |
2 |
4 |
2 |
51 |
6,09 |
| VISUAL COMMUNICATION DESIGN |
3 |
4 |
4 |
3 |
5 |
4 |
3 |
3 |
4 |
5 |
4 |
3 |
2 |
4 |
4 |
4 |
5 |
64 |
7,65 |
| NEW SOCIAL MOVEMENTS AND MEDIA |
1 |
2 |
4 |
4 |
2 |
5 |
4 |
5 |
1 |
3 |
5 |
5 |
3 |
5 |
3 |
4 |
0 |
56 |
6,69 |
| CRITICAL MEDIA LITERACY |
2 |
5 |
5 |
3 |
5 |
3 |
4 |
5 |
3 |
3 |
4 |
5 |
2 |
3 |
2 |
4 |
2 |
60 |
7,17 |
| DİJİTAL İLETİŞİM VE MEDYA ANALİZİ |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SOCIAL MEDIA MANAGEMENT |
1 |
3 |
4 |
3 |
5 |
2 |
4 |
5 |
5 |
5 |
5 |
4 |
4 |
1 |
1 |
5 |
4 |
61 |
7,29 |
| SOCIAL GENDER AND COMMUNICATION |
1 |
3 |
4 |
4 |
1 |
4 |
2 |
4 |
1 |
1 |
4 |
5 |
2 |
2 |
4 |
2 |
1 |
45 |
5,38 |
| MEDIA AND CULTURE |
2 |
3 |
3 |
4 |
2 |
4 |
3 |
4 |
2 |
2 |
5 |
5 |
4 |
4 |
4 |
3 |
2 |
56 |
6,69 |
| MEDIA PLANNING |
1 |
3 |
3 |
4 |
5 |
3 |
5 |
3 |
5 |
5 |
4 |
3 |
3 |
3 |
4 |
3 |
1 |
58 |
6,93 |
| INTERNET RADIO BROADCASTING |
1 |
3 |
3 |
2 |
4 |
2 |
2 |
2 |
3 |
3 |
3 |
2 |
2 |
2 |
3 |
4 |
2 |
43 |
5,14 |
| INTERNATIONAL COMMUNICATION |
4 |
4 |
4 |
5 |
5 |
5 |
5 |
5 |
4 |
4 |
4 |
4 |
5 |
4 |
5 |
4 |
1 |
72 |
8,6 |
| FILM ANALYSIS AND CRITICISM |
2 |
3 |
2 |
3 |
3 |
4 |
2 |
2 |
2 |
2 |
2 |
4 |
3 |
4 |
4 |
3 |
4 |
49 |
5,85 |
| CONTENT PRODUCTION WITH ARTIFICIAL INTELLIGENCE |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
4 |
5 |
5 |
5 |
5 |
5 |
84 |
10,04 |
| SPORTS JOURNALISM |
2 |
5 |
4 |
3 |
5 |
4 |
5 |
5 |
4 |
5 |
5 |
4 |
3 |
4 |
4 |
5 |
4 |
71 |
8,48 |
| POLITICAL CINEMA |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| VISUAL CULTURE |
1 |
2 |
3 |
4 |
3 |
1 |
1 |
4 |
1 |
1 |
3 |
3 |
3 |
2 |
3 |
4 |
4 |
43 |
5,14 |
| WORLD CINEMAS |
2 |
4 |
4 |
4 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
3 |
2 |
5 |
3 |
41 |
4,9 |
| CINEMA AND IDEOLOGY |
1 |
1 |
2 |
3 |
1 |
3 |
2 |
4 |
0 |
1 |
2 |
5 |
2 |
0 |
0 |
3 |
0 |
30 |
3,58 |
| WOMEN ARTISTS IN THE TWENTIETH CENTURY |
2 |
2 |
3 |
4 |
1 |
3 |
1 |
5 |
1 |
1 |
1 |
5 |
4 |
1 |
1 |
5 |
1 |
41 |
4,9 |
| POPULAR CULTURE AND MEDIA |
1 |
2 |
3 |
2 |
3 |
4 |
4 |
4 |
2 |
3 |
5 |
5 |
3 |
3 |
3 |
4 |
1 |
52 |
6,21 |
| GENRES IN TELEVISION |
2 |
3 |
1 |
0 |
5 |
2 |
1 |
1 |
1 |
4 |
3 |
1 |
1 |
3 |
4 |
4 |
5 |
41 |
4,9 |
| SEMIOTICS |
2 |
2 |
3 |
3 |
5 |
2 |
4 |
4 |
2 |
2 |
4 |
5 |
2 |
2 |
2 |
3 |
4 |
51 |
6,09 |
| SCENARIO TECHNIQUES |
1 |
3 |
3 |
2 |
3 |
4 |
3 |
2 |
1 |
5 |
5 |
1 |
2 |
4 |
2 |
5 |
5 |
51 |
6,09 |
| FILM ANALYSIS |
1 |
1 |
1 |
2 |
3 |
5 |
2 |
3 |
1 |
4 |
4 |
5 |
2 |
4 |
4 |
3 |
3 |
48 |
5,73 |
| CINEMA-TV AND DRAMATURGY |
1 |
1 |
3 |
3 |
5 |
5 |
3 |
3 |
3 |
5 |
5 |
4 |
1 |
3 |
3 |
4 |
4 |
56 |
6,69 |
| CONTEMPORARY ART |
1 |
4 |
3 |
3 |
2 |
4 |
2 |
5 |
2 |
2 |
5 |
5 |
3 |
5 |
2 |
4 |
2 |
54 |
6,45 |
| CONTENT EDITING AND COPYWRITING |
2 |
3 |
3 |
3 |
4 |
3 |
4 |
2 |
4 |
5 |
4 |
4 |
2 |
4 |
5 |
2 |
5 |
59 |
7,05 |
| FILM GENRES |
1 |
1 |
1 |
2 |
3 |
5 |
1 |
1 |
1 |
4 |
3 |
1 |
1 |
4 |
4 |
2 |
2 |
37 |
4,42 |
| MEDIA AND COMMUNICATION ENGLISH |
4 |
4 |
4 |
4 |
1 |
4 |
4 |
4 |
2 |
2 |
5 |
2 |
2 |
5 |
5 |
3 |
2 |
57 |
6,81 |
| CULTURAL STUDIES AND CINEMA |
3 |
4 |
4 |
4 |
2 |
5 |
2 |
5 |
1 |
0 |
5 |
5 |
1 |
0 |
3 |
3 |
1 |
48 |
5,73 |
| DİJİTAL TOPLUM VE ULUSLARARASI İLETİŞİM |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SCIENCE COMMUNICATION |
4 |
4 |
5 |
4 |
2 |
3 |
1 |
3 |
2 |
4 |
5 |
3 |
2 |
2 |
2 |
2 |
1 |
49 |
5,85 |
| FILM AND VIDEO EDITING |
5 |
5 |
5 |
5 |
5 |
5 |
4 |
4 |
5 |
5 |
5 |
5 |
4 |
5 |
5 |
5 |
5 |
82 |
9,8 |
| SCRIPTWRITING |
3 |
5 |
5 |
2 |
3 |
5 |
4 |
2 |
4 |
4 |
4 |
3 |
2 |
5 |
5 |
2 |
3 |
61 |
7,29 |
| RUSSIAN I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0,24 |
| RUSSIAN II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| RUSSIAN III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| RUSSIAN IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0,24 |
| HUMAN RIGHTS |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
10 |
1,19 |
| INTERNATIONAL POLITICAL ECONOMY |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
5 |
0,6 |
| POLITICAL AND INTELLECTUAL MOVEMENTS IN TURKEY |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
6 |
0,72 |
| CHINESE POLITICS AND FOREIGN POLICY |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
5 |
0 |
0 |
0 |
13 |
1,55 |
| TÜRK DIŞ POLİTİKASINDA GÜNCEL MESELELER |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SUSTAINABLE ENVIRONMENTAL MANAGEMENT |
3 |
1 |
2 |
2 |
2 |
3 |
2 |
3 |
3 |
4 |
4 |
3 |
2 |
2 |
1 |
4 |
0 |
41 |
4,9 |
| IDENTITY AND POLITICS |
4 |
1 |
3 |
3 |
2 |
2 |
3 |
3 |
2 |
3 |
4 |
3 |
2 |
3 |
3 |
3 |
3 |
47 |
5,62 |
| GENDER AND POLITICS |
4 |
1 |
1 |
3 |
1 |
2 |
1 |
3 |
1 |
3 |
3 |
4 |
4 |
3 |
0 |
4 |
0 |
38 |
4,54 |
| STATE AND ADMINISTRATION |
4 |
0 |
1 |
5 |
1 |
1 |
2 |
4 |
3 |
1 |
2 |
5 |
1 |
0 |
1 |
2 |
0 |
33 |
3,94 |
| SOCIOLOGY OF LEISURE TIME |
5 |
5 |
5 |
5 |
3 |
5 |
4 |
4 |
2 |
1 |
5 |
5 |
4 |
4 |
0 |
1 |
0 |
58 |
6,93 |
| LOGIC |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SOCIOLOGY OF CONSUMPTION AND SAVINGS |
5 |
1 |
5 |
5 |
0 |
4 |
5 |
5 |
0 |
0 |
4 |
5 |
0 |
4 |
0 |
3 |
0 |
46 |
5,5 |
| HISTORY OF THOUGHT |
3 |
3 |
3 |
5 |
4 |
2 |
4 |
4 |
4 |
4 |
5 |
4 |
4 |
2 |
3 |
5 |
1 |
60 |
7,17 |
| PHILOSOPHY OF SCIENCE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ENVIRONMENTAL SOCIOLOGY |
5 |
5 |
5 |
5 |
2 |
4 |
5 |
4 |
1 |
0 |
5 |
5 |
5 |
1 |
0 |
4 |
0 |
56 |
6,69 |
| POLITICAL PHILOSOPHY |
5 |
0 |
3 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
5 |
5 |
0 |
0 |
5 |
0 |
31 |
3,7 |
| POVERTY AND SOCIAL POLICY |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
2 |
4 |
4 |
1 |
0 |
1 |
3 |
0 |
22 |
2,63 |
| SPANISH I |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
3 |
3 |
2 |
1 |
27 |
3,23 |
| SPANISH II |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
8 |
0,96 |
| SPANISH III |
2 |
2 |
2 |
2 |
2 |
4 |
5 |
4 |
4 |
5 |
3 |
5 |
5 |
4 |
3 |
5 |
2 |
59 |
7,05 |
| SPANISH IV |
2 |
2 |
2 |
2 |
2 |
4 |
3 |
4 |
5 |
4 |
3 |
3 |
4 |
5 |
4 |
0 |
2 |
51 |
6,09 |
| FUNDAMENTAL PRINCIPLES OF QUALITY MANAGEMENT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| TURKISH MYTHOLOGY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| WORLD LITERATURE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CLASSICAL LITERATURE AND PSYCHOANALYSIS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CLASSICAL LITERATURE AND POLITICS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CITY AND CIVILIZATION |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
3 |
3 |
2 |
2 |
2 |
2 |
2 |
3 |
1 |
36 |
4,3 |
| WORLD GEOGRAPHY AND TOURISM DESTINATIONS |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
3 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
32 |
3,82 |
| SUSTAINABLE TOURISM |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
17 |
2,03 |
| TURKISH AND WORLD CUISINES |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0,48 |
| ARTIFICIAL INTELLIGENCE AND ITS STRATEGIC USE IN BUSINESS |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
0 |
3 |
5 |
0 |
19 |
2,27 |
| FUNDAMENTALS OF NEUROMARKETING |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| CURRENT ISSUES IN THE WORLD ECONOMY |
4 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
22 |
2,63 |
| DESIGN THINKING |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
12 |
1,43 |
| DIGITAL TRANSFORMATION |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0,48 |
| INTERNATIONAL MONEY AND CAPITAL MARKETS |
4 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
22 |
2,63 |
| INTERNATIONAL SALES MANAGEMENT |
3 |
2 |
2 |
3 |
1 |
2 |
2 |
2 |
3 |
4 |
2 |
3 |
3 |
2 |
2 |
3 |
1 |
40 |
4,78 |
| PURCHASING MANAGEMENT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| GREEN LOGISTICS |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0,36 |
| GLOBAL SUPPLY CHAIN MANAGEMENT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| FINANCIAL PLANNING IN LOGISTICS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DIGITAL FINANCE |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0,36 |
| CULTUREL DIFFERENCES IN TRADE |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0,12 |
| INTERNATIONAL TRADE BLOCKS AND TREATIES |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
8 |
0,96 |
| UNDERSTANDING INTERNATIONAL TRADE WITH FILMS |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
12 |
1,43 |
| FUNDAMENTALS OF INFORMATION TECHNOLOGIES |
2 |
2 |
2 |
2 |
2 |
3 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
2 |
3 |
1 |
1 |
34 |
4,06 |
| DIGITAL LITERACY |
2 |
2 |
3 |
3 |
2 |
4 |
3 |
3 |
2 |
3 |
4 |
3 |
4 |
2 |
3 |
4 |
1 |
48 |
5,73 |
| GAME THEORY |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
19 |
2,27 |
| TECHNOLOGY AND SOCIETY |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
24 |
2,87 |
| CRITICAL THINKING ON SOCIAL MEDIA |
1 |
0 |
3 |
1 |
1 |
4 |
3 |
3 |
3 |
1 |
4 |
4 |
4 |
0 |
0 |
3 |
0 |
35 |
4,18 |
| SOCIAL GENDER AND MEDIA |
2 |
0 |
2 |
2 |
0 |
2 |
3 |
3 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
1 |
0 |
24 |
2,87 |
| SOCIAL COMPUTING |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| VOLUNTEER WORK |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| ALGORITHMS AND SOCIETY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| DIGITAL INTERFACE DESIGN |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| SOCIAL MEDIA MARKETING |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| IDENTITY, MEDIA, CULTURE |
1 |
1 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
4 |
1 |
1 |
0 |
4 |
0 |
48 |
5,73 |
| NEW MEDIA INNOVATION |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
3 |
3 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
30 |
3,58 |
| RHETORIC AND LEADERSHIP |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| TOTAL |
258 |
253 |
305 |
324 |
278 |
358 |
319 |
360 |
294 |
337 |
386 |
384 |
309 |
334 |
308 |
392 |
203 |
5402 |
645,4 |