TR EN

VİDEOGRAFİK ELEŞTİRİ COURSE IDENTIFICATION AND APPLICATION INFORMATION

Code Name of the Course Unit Semester In-Class Hours (T+P) Credit ECTS Credit
THY426 VİDEOGRAFİK ELEŞTİRİ 5 3 3 5

SOURCE MATERIALS & RECOMMENDED READING

Akbulut, Hasan (2021). “Yeni Sinefili” [Kitap Eleştirisi]. sinecine, 12(1), 177-189. Álvarez López C. & A. Martin. (2014a). “Introduction to the audiovisual essay: A child of two mothers”. NECSUS European Journal of Media Studies. Çevrimiçi: https://necsus-ejms.org/introduction-audiovisual-essay-child-two-mothers/ Baptista, Tiago (2016). The Digital Audiovisual Essay, Thesis submitted for the Degree of Doctor of Philosophy (Film and Screen Media), Birkbeck, University of London Baron J. (2012). The Archive Effect: Archival Footage as an Experience of Reception, Volume 6, Issue 2, Winter 2012: 102–120. Doi: 10.3167/proj.2012.060207 ISSN 1934-9688. Corigan, T. (2011). The essay film: from Montaigne, after Marker. Oxford University Press Elsaesser, T. (2014). The Ethics of Appropriation: Found Footage between Archive and Internet. http://2014.doku-arts.de/content/sidebar_fachtagung/Ethics-of-Appropriation.pdf. Elsaesser, T. & Hagener, M. (2014). Film Kuramı – Duyular Yoluyla Bir Giriş (Çev. B. Soner ve B. Yıldırım). Ankara: Dipnot. Grant, C. (2014a). “How long is a piece of string? On the Practice, Scope and Value of Videographic Film Studies and Criticism”. Çevrimiçi: http://reframe.sussex.ac.uk/audiovisualessay/frankfurt-papers/catherine-grant/ Grant, C. (2020). Dissolves of Passion (Birbirinin İçinde Eriyen Tutkular): Videografik Derlemede Kurgu Yoluyla Malzemeyle Düşünmek. (Çev. İ. Gürkan). sinecine, 11(2), 357-374. Grant, C. (2014a). “How long is a piece of string? On the Practice, Scope and Value of Videographic Film Studies and Criticism”. Çevrimiçi: http://reframe.sussex.ac.uk/audiovisualessay/frankfurt-papers/catherine-grant/ Grant, C. (2014b). “The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as MaterialThinking”. Aniki,1(1),49-62. Çevrimiçi: http://aim.org.pt/ojs/index.php/revista/article/view/59/h, Gürkan, İ. (2019). Film Çalışmalarında Eleştirinin Dönüşümü: Görsel-İşitsel Denemeler (Audiovisual Essay). SineFilozofi , 4 (8) , 284-303 . DOI: 10.31122/sinefilozofi.633100. Gürkan, İ. (2021). “Catherıne Grant İle Video Essay Üzerine”, sinecine, 12(1): 147-163. Gürkan, İ. (2022). “Film Eleştirisinde “Sanat Erotikası”na Doğru: Videografik Eleştiri ve Haptik Bakış”, SineFilozofi Dergisi, 7 (13): 61-80. Keathley, C., Mittell, J. & Grant, C. (2019). The Videographic Essay: Criticism in Sound & Image. Montreal: Caboose. Papazian, A. E., Eades, C. (2016). The Essay Film: Dialogue, Politics, Utopia. London, NY: Wallflower Press. Russell, Catherine (2018). “Archiveology: Walter Benjamin and Archival Film Practices”, Issue 1: The Long Path to Audio-visual History (Special Issue), https://film-history.org/issues/text/archiveology, Date of Access 02.11.2019 Shambu, G. (2020). Yeni Sinefili. Çev. Bilge Demirtaş. Eskişehir: Yort. Türkgeldi, S. (2021). Thinking of Video Essays as A Performative Research With A New Concept: Transimage. SineFilozofi, 6(11), 812-825. https://doi.org/10.31122/sinefilozofi.823234