GERMAN I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0,69 |
GERMAN II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0,69 |
GERMAN III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0,69 |
GERMAN IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0,69 |
EĞİTİME GİRİŞ |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
ÖĞRETİM İLKE VE YÖNTEMLERİ |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
5 |
4 |
4 |
3 |
3 |
1 |
3 |
31 |
5,32 |
SINIF YÖNETİMİ |
1 |
2 |
3 |
3 |
3 |
4 |
4 |
4 |
4 |
4 |
3 |
4 |
4 |
3 |
4 |
5 |
4 |
4 |
5 |
4 |
72 |
12,35 |
ÖZEL ÖĞRETİM YÖNTEMLERİ |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
5 |
4 |
4 |
3 |
3 |
1 |
3 |
31 |
5,32 |
REHBERLİK VE ÖZEL EĞİTİM |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
EĞİTİMDE ÖLÇME VE DEĞERLENDİRME |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
5 |
4 |
4 |
3 |
3 |
1 |
3 |
31 |
5,32 |
EĞİTİM PSİKOLOJİSİ |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
ÖĞRETİM TEKNOLOJİLERİ |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
5 |
4 |
4 |
3 |
3 |
1 |
3 |
31 |
5,32 |
ÖĞRETMENLİK UYGULAMASI |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
5 |
4 |
4 |
3 |
3 |
1 |
3 |
31 |
5,32 |
FILM STUDIES AND POPULAR CULTURE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
FOOD PHOTOGRAPHY AND STYLING |
3 |
1 |
0 |
0 |
0 |
0 |
4 |
3 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
21 |
3,6 |
ARTISANAL PRODUCTS |
4 |
4 |
5 |
3 |
5 |
3 |
1 |
4 |
5 |
5 |
4 |
4 |
3 |
4 |
5 |
3 |
4 |
4 |
1 |
1 |
72 |
12,35 |
BAKERY PRODUCTS |
4 |
3 |
3 |
2 |
4 |
3 |
3 |
4 |
3 |
3 |
3 |
3 |
4 |
3 |
2 |
2 |
2 |
2 |
3 |
4 |
60 |
10,29 |
EVENT PLANNING |
3 |
3 |
3 |
2 |
4 |
4 |
4 |
3 |
3 |
5 |
5 |
4 |
2 |
3 |
3 |
2 |
2 |
3 |
2 |
2 |
62 |
10,63 |
SAUCES AND SOUPS |
3 |
2 |
2 |
2 |
3 |
3 |
0 |
0 |
0 |
0 |
4 |
3 |
4 |
4 |
4 |
4 |
3 |
3 |
4 |
3 |
51 |
8,75 |
CATERING |
1 |
1 |
1 |
1 |
4 |
4 |
4 |
2 |
4 |
4 |
5 |
5 |
0 |
3 |
5 |
1 |
1 |
1 |
1 |
1 |
49 |
8,4 |
CLIMATE CHANGE AND BIODIVERSITY |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
14 |
2,4 |
COOKING TECHNIQUES AND KINETICS |
3 |
2 |
4 |
4 |
4 |
4 |
3 |
3 |
3 |
4 |
4 |
4 |
1 |
3 |
2 |
1 |
1 |
3 |
2 |
2 |
57 |
9,78 |
CULINARY TECHNOLOGY |
3 |
4 |
2 |
4 |
4 |
4 |
4 |
4 |
1 |
1 |
1 |
3 |
1 |
4 |
4 |
4 |
1 |
3 |
2 |
2 |
56 |
9,61 |
SEAFOODS |
3 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
1 |
2 |
2 |
3 |
3 |
3 |
3 |
3 |
1 |
1 |
1 |
41 |
7,03 |
MYTHOLOGY |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
7 |
1,2 |
MIXOLOGY |
3 |
2 |
2 |
2 |
4 |
4 |
3 |
4 |
4 |
3 |
4 |
3 |
2 |
3 |
2 |
3 |
2 |
2 |
2 |
2 |
56 |
9,61 |
OCCUPATIONAL HEALT AND SAFETY |
3 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
3 |
31 |
5,32 |
PROFESSIONAL ETHICS |
2 |
3 |
2 |
4 |
3 |
2 |
2 |
3 |
2 |
4 |
2 |
3 |
3 |
2 |
3 |
2 |
3 |
3 |
3 |
2 |
53 |
9,09 |
TEAMWORK |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
5 |
0 |
3 |
0 |
4 |
2 |
1 |
0 |
5 |
2 |
1 |
0 |
3 |
29 |
4,97 |
INTRODUCTION TO PUBLIC RELATIONS |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
5 |
0 |
3 |
0 |
4 |
3 |
5 |
3 |
3 |
4 |
3 |
4 |
4 |
46 |
7,89 |
STRESS AND ANGER MANAGEMENT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
5 |
0,86 |
CULTURAL SOCIOLOGY |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
9 |
1,54 |
POPULAR CULTURE |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
4 |
4 |
0 |
0 |
0 |
0 |
5 |
0 |
2 |
0 |
1 |
4 |
3 |
28 |
4,8 |
INTRODUCTION TO MANAGEMENT |
0 |
0 |
2 |
0 |
5 |
5 |
2 |
5 |
4 |
4 |
2 |
5 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
40 |
6,86 |
WORL CUISINE AND CULTURES |
4 |
4 |
0 |
5 |
4 |
4 |
4 |
3 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
2 |
42 |
7,2 |
STREET FOODS |
4 |
4 |
1 |
3 |
3 |
4 |
4 |
3 |
3 |
2 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
1 |
2 |
0 |
47 |
8,06 |
FOOD CHEMISTRY |
4 |
4 |
1 |
2 |
2 |
3 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
4 |
1 |
2 |
38 |
6,52 |
ECOLOGICAL GASTRONOMY |
2 |
1 |
4 |
0 |
4 |
4 |
4 |
2 |
3 |
0 |
0 |
0 |
2 |
5 |
1 |
0 |
2 |
0 |
3 |
0 |
37 |
6,35 |
NUTRITIONAL GENOMICS |
3 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
10 |
1,72 |
GASTROTOURISM |
4 |
5 |
3 |
4 |
2 |
0 |
5 |
3 |
2 |
0 |
0 |
0 |
3 |
5 |
0 |
2 |
3 |
1 |
5 |
1 |
48 |
8,23 |
GASTRONOMY AND ARTS |
4 |
5 |
3 |
2 |
3 |
0 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
4 |
3 |
37 |
6,35 |
3D STEREOCHEMISTRY IN CULINARY |
4 |
2 |
0 |
0 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
4 |
23 |
3,95 |
FOOD AND CULTURAL ANTHROPOLOGY |
3 |
4 |
5 |
4 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
4 |
4 |
34 |
5,83 |
HOT AND COLD DESSERTS |
4 |
4 |
0 |
3 |
0 |
3 |
3 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
26 |
4,46 |
OTTOMAN FOOD CULTURE |
4 |
4 |
4 |
4 |
2 |
3 |
3 |
0 |
5 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
4 |
1 |
38 |
6,52 |
VEGAN CUISINE |
4 |
4 |
2 |
3 |
0 |
0 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
3 |
29 |
4,97 |
HUMAN RESOURCES PLANNING |
0 |
3 |
4 |
0 |
4 |
2 |
0 |
4 |
0 |
5 |
0 |
5 |
4 |
5 |
4 |
5 |
4 |
5 |
0 |
0 |
54 |
9,26 |
LEADERSHIP AND MANAGEMENT SKILLS |
0 |
3 |
5 |
0 |
4 |
2 |
0 |
5 |
2 |
5 |
0 |
5 |
4 |
5 |
4 |
5 |
4 |
4 |
5 |
5 |
67 |
11,49 |
CONSUMER BEHAVIOURS |
0 |
0 |
4 |
2 |
3 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
3 |
0 |
5 |
5 |
4 |
35 |
6 |
REPUTATION MANAGEMENT |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
4 |
3 |
0 |
0 |
0 |
5 |
5 |
0 |
5 |
5 |
4 |
4 |
4 |
45 |
7,72 |
FUSION CULINARY APPLICATIONS AND MOLECULAR GASTRONOMY |
4 |
4 |
0 |
5 |
3 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
29 |
4,97 |
INTERCULTURAL COMMUNICATION |
0 |
4 |
5 |
1 |
4 |
0 |
0 |
5 |
3 |
2 |
0 |
0 |
3 |
5 |
0 |
4 |
4 |
3 |
4 |
4 |
51 |
8,75 |
GARDE MANGER |
3 |
3 |
0 |
3 |
3 |
3 |
3 |
0 |
4 |
4 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
32 |
5,49 |
HEALTHY AND SPECIAL DIETS |
4 |
3 |
0 |
3 |
0 |
0 |
5 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
18 |
3,09 |
FERMENTED FOOD TECHNOLOGY |
4 |
3 |
0 |
1 |
2 |
2 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
2 |
32 |
5,49 |
HISTORY OF CIVILIZATIONS I |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
5 |
4 |
4 |
3 |
3 |
1 |
3 |
31 |
5,32 |
HISTORY OF CIVILISATIONS II |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
5 |
4 |
4 |
3 |
3 |
1 |
3 |
33 |
5,66 |
ITALIAN I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0,69 |
ITALIAN II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0,69 |
ITALIAN III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0,69 |
ITALIAN IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0,69 |
CRISIS MANAGEMENT IN NEW MEDIA |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
NEW MEDIA AND SIMULATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
MEDIA AND PUBLIC RELATIONS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
MEDIA AND MASS COMMUNICATION THEORIES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
STRESS, EXCITEMENT AND ANGER MANAGEMENT |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
NEW COMMUNICATION TECHNOLOGIES AND JOURNALISM |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
DIGITAL ADVERTISING |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
DIGITAL CULTURE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
AUGMENTED REALITY APPLICATIONS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
VIRTUAL REALITY APPLICATIONS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
MEDIA AND MULTIMEDIA DESIGN |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
ECONOMIC POLITICAL APPROACHES TO NEW MEDIA AND TECHNIQUES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
RADIO AND TELEVISION JOURNALISM |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
NEW MEDIA AND CULTURAL STUDIES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
HUMAN-COMPUTER INTERACTION AND INTERFACE DESIGN |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
NEW MEDIA AND DATA MINING |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
ENTREPRENEURSHIP AND PROJECT MANAGEMENT |
0 |
3 |
4 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
3 |
3 |
3 |
4 |
4 |
5 |
4 |
5 |
4 |
3 |
58 |
9,95 |
CULTURE AND COMMUNICATION I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
RESEARCH METHODS AND TRANSLATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
VERBAL COMMUNICATION I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
TRANSLATION IN THE FIELD OF LAW |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
BUSINESS ENGLISH I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
TRANSLATION CRITICISM |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
WRITTEN TRANSLATION |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
CULTURE AND COMMUNICATION II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
RUSSIAN FOR TRANSLATORS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
VERBAL COMMUNICATION II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
TRANSLATION İN THE FIELD OF MEDICINE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
BUSINESS ENGLISH II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
TRANSLATION IN THE FIELD OF ART |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
TRANSLATION IN THE FIELD OF ECONOMICS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
TRANSLATION OF MEDIA AND ADVERTISING TEXTS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
TRANSLATION TECHNOLOGIES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
ADVANCED WRITING SKILLS |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
LEADERSHIP PSYCHOLOGY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
PSYCHOLOGY OF MOVIES |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
PSYCHOLOGY OF SOCIAL MEDIA |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
COMMUNICATION PSYCHOLOGY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
TRAFFIC PSYCHOLOGY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
PREJUDICE AND VIOLENCE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
FAMILY PSYCHOLOGY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
RUSSIAN I |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
RUSSIAN II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
6 |
1,03 |
RUSSIAN III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0,69 |
RUSSIAN IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0,69 |
YOUTH SOCIOLOGY |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
PHILOSOPHY OF SCIENCE |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
SPANISH I |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
5 |
0 |
4 |
0 |
0 |
4 |
4 |
27 |
4,63 |
SPANISH II |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
SPANISH III |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0,69 |
SPANISH IV |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0,69 |
FIRST AID |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
RHETORIC AND LEADERSHIP |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
TOPLAM |
100 |
104 |
118 |
84 |
98 |
78 |
97 |
127 |
90 |
70 |
47 |
70 |
77 |
185 |
93 |
134 |
85 |
96 |
114 |
122 |
1989 |
341,17 |